The latest installment of Housing Works Bookstore Café’s biweekly podcast features a conversation between James Wood and László Krasznahorkai. (We interviewed him for our site last year, too.) The Hungarian author’s next book, Seiobo There Below, was highlighted in our Great Second-Half 2013 Book Preview.
RSVP: We’ve already had several RSVPs for our NYC indie bookstore walking tour. Get all the details via our announcement post.People are still adding to our collaborative literary Atlas. Recent additions include several non-bookstore literary spots in the Midwest, including the Kate Chopin House and the final resting place of William S. Burroughs. The Atlas itself has been viewed over 100,000 times.Panelists at the SXSW “New Think for Old Media” panel face death by a thousand Tweets.Also via Freebird: Iggy Pop explores Michel Houellebecq’s raw power.Mark Grief and Year in Reading contributor Wells Tower give far-ranging interviews in a new online journal, Wag’s ReviewHanif Kureishi discusses life after the Rushdie fatwa.A bibliography of coffee.The editor of John Updike’s book reviews remembers the writer: “he was attentive to everything.”Cathleen Schine admires Zoe Heller’s The Believers.The Village Voice praises Mary Gaitskill’s “ludicrous mastery.”In two long posts, Blographia Literaria offers a thoughtful alternative to our take on The Kindly OnesBen Okri pioneers the Twitter poem.Two books named Brooklyn enter, one book named Brooklyn leaves. (via)Tucker Carlson sounds a dissenting note on Jon Stewart in the wake of the Jim Cramer takedown.Levi Asher and Scott Esposito discuss litblog economics.At The Second Pass, Jon Fasman calls readers’ attention to Russell Hoban’s Riddley Walker, echoing John Wray’s Year in Reading contention that “Sometimes, though, a work of originality and genius slips inexplicably through the cracks.”Wray’s Lowboy, meanwhile, got the James Wood treatment at the New Yorker this week.
“Internet reading takes up my time without my setting that time aside for it, and fills me with images and thoughts that I don’t perceive going in, like radiation… In these online minutes or hours, I drift along with my mouth open, absorbing whatever’s floating by, never chewing or even swallowing, just letting it all seep pre-chewed into me”: an elegant argument against reading about books before you read the books in question at Electric Literature. (But we hope you’ll continue to read The Millions anyway.)
Max Porter’s Death Is the Thing With Feathers is a bizarre, beautiful book. Over at The Literary Hub, he talks death, writing, and musical theater with Catherine Lacey. Porter’s book came highly recommended by Garth Risk Hallberg in his 2015 Year in Reading for The Millions.
Looking to get into Philip Roth? Not sure where to start in the perennial Nobel favorite’s massive ouevre? Thankfully, the novelist Gabriel Roth is here, swooping in with the only guide you’ll ever need. He explains why Portnoy’s Complaint made the splash it did, why Goodbye, Columbus put Roth on the map, and why the character of David Kepesh is critical to understanding Roth’s legacy. Related: Keith Meatto picks out ten lessons from the author’s work.