Jonathan Lethem thinks his work is taken too seriously. “Well, I was just watching Richard Pryor, and he says, ‘When you’re dating a white woman, and people don’t like it, you can’t really pretend. You can’t go, “Oh, she’s not with me.”‘ ‘You write the big, ambitious books, right?’ Well, I guess they are,” he said in an interview with Salon. He also discusses being equated with Jonathan Franzen and his new novel, Dissident Gardens.
Recently Salman Rushdie spoke at a conference in Delhi. He had been scheduled to appear with the Pakistani politician Imran Khan, who later pulled out of the event citing the “immeasurable hurt” that The Satanic Verses had done to Muslims. Rushdie, who had earlier been prevented from attending the Jaipur literary festival for fear of his presence inciting a riot, dismissed Khan’s claims: “The chilling effect of violence is very real and it is growing in this country.”
How’s this sound: an eight-mile midnight stroll through Fire Island, replete with Socratic dialogue and references to Sappho, Pythagoras, Diogenes and Hippocrates? Such is exactly what you get from Island Night, the latest project of poet Jon Cotner (previously mentioned for his We’re Floating and Poem Forest projects). As the poet explains to the NY Times, his mission with the walks was to revive “the ancient and endangered practices of walking and talking.”
With the Ender’s Game movie approaching, critics of Orson Scott Card are drawing attention to the writer’s anti-gay rhetoric. In protest of his position, they compelled DC Comics to scrap a Card-penned Superman comic and started a movement to boycott the upcoming movie. In New York Magazine, Kyle Buchanan runs through the nitty-gritty of the controversy, which includes a recent statement from Card that the repeal of DOMA means “the gay marriage issue” is now “moot.” (You might also want to read our interview with Card from back in May.)
“But the truth is that even very small actions can ripple outwards and have huge and far-reaching effects. In other words, the fires you start can be little, but don’t think they don’t matter, or that they won’t spread.” The Los Angeles Review of Books interviewed Celeste Ng about writing about women, transracial adoption, and her novel, Little Fires Everywhere (featured in multiple Year in Reading entries).