A new Margaret Atwood novel is out this week, as is a new book by Nobel laureate J.M. Coetzee. Also out: The Maid’s Version by Daniel Woodrell, At the Bottom of Everything by Ben Dolnick and Duplex by Kathryn Davis. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
Is all publicity good publicity? Are all reviews—even bad ones—good for books? The answer, according to a new study [pdf] by the journal Marketing Science, depends on whether the writer is well known or unknown. The study examined the impact of a New York Times review on the sales of more than 200 hardcover titles. For books by established writers, a negative review led to a 15% decrease in sales. For unknown authors, a negative review increased sales by a healthy 45%.
A German film about imprisoned Russian oil tycoon Mikhail Khodorkovsky is set for release in Russia next week, but it is unlikely that many in the country will actually have an opportunity to see it.
“Once [Jenny] Diski did get going as a writer, she and [Doris] Lessing agreed to a kind of literary nonaggression pact: Lessing would not write about Diski if Diski would not write about Lessing. Even now, I sensed a note of anxiety in Diski’s attitude toward her current project. When I asked her if she had any titles in mind for the finished work, she said: ‘Gratitude.’ Or: ‘Ingratitude.’ I can’t decide which.’”
Heidi Julavits credits her habit of keeping a diary with convincing her that writing might be a viable career path. In her new book, The Folded Clock, she returns to the format of her childhood, crafting a lengthy diary meant to stand on its own as a narrative. In the Times, Eula Biss reads the book and reflects on our notions of the self. Related: Rachel Signer on the Julavits/Sheila Heti/Leanne Shapton project Women in Clothes.