If you’ve ever been asked to write a thank-you note, you know that, paradoxically, it can be one of the hardest forms of writing to do well. In light of that, The Morning News has kindly republished their classic guide to writing thank-you notes, written by Leslie Harpold. Sample quote: “If you want to know when you get a genuine pass on writing a note, the litmus test is simple: Do I live under the same roof as the giver?”
Masha Gessen will be the first writer to publish a book about the Boston Marathon bombing suspects, Tamerlan and Dzhokhar Tsarnaev. Previously the author demonstrated her knowledge of Chechnya in her 2012 book The Man Without a Face. Gessen, who is also working on a book about embattled punk group Pussy Riot, will reportedly leave her directorship at Moscow Radio Liberty in order to report on both projects full time.
“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
Year in Reading alum Maria Popova of Brain Pickings writes her first book review for The New York Times on Dark Matter and the Dinosaurs by Lisa Randall, a Harvard cosmologist. Randall proposes ”that a thin disk of dark matter in the plane of the Milky Way triggered a minor perturbation in deep space that caused the major earthly catastrophe that decimated the dinosaurs.” Jenny Hendrix writes about modern-day extinction for The Millions.
“A ‘Complete Poems’ is a death certificate and memorial combined. After the Selected and the Collected, the Complete marks the poet’s official demise and at the same time erects a carven monument designed to outlast the ages.” At The Guardian John Banville reviews The Complete Poems of Philip Larkin which will be out on these shores in March.