What color would The Little Prince be? Before you dismiss this as an inane question, artist Jaz Parkinson created color signatures based on how often books mentioned certain hues. The results look like a better Rothko painting. Pair with: Radiolab’s fascinating podcast on the science of color.
On the Spectrum
Theft and Academic Publishing
In light of Aaron Swartz's alleged JSTOR data theft, Maria Bustillos wonders whether his actions even constitute a crime. George Monbiot goes even further, alleging that academic publishers "make Murdoch look like a socialist."
“Geoff Dyer saw Stalker thirty years ago and hasn’t stopped returning to it.”
Millions contributor Jacob Mikanowski takes a gander at Geoff Dyer's Zona, and he invoked both Wittgenstein and Bolaño by the third paragraph of his write-up, so you know things are about to get heady.
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Leftover Links
Some seriously deranged Amazon customer reviews. (via Doc Searls)A year ago "Our Lady of the Underpass" was a Chicago phenomenon. Eric Zorn revisits.Chimney sweeps and flower pots are the stuff of poetry for Sam.Dale Peck's recent judgment in the Tournament of Books is scarcely worth mentioning, but I did very much enjoy Kevin Guilfoile's commentary on the topic as well as his tale about meeting Ken Kesey.Kakutani's reign of terror turns 25.The Literary Saloon points us to Jonathan Franzen's new book. It's a memoir, and like Ed, I am disappointed by that.The Rake chats with Charles D'Ambrosio
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No More Nice Girls
n+1's Research Collective has posted the introduction to Ellen Willis's No More Nice Girls: Countercultural Essays (1992), and plans to post a series of essays by the seamless activist and writer-- "Her refusal to subsume her personality to a movement, or to ignore the things that were important to her, remains an inspiration."
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Fanged
If you're wondering why you should read this new essay on Jack London, consider this sentence: "Born in 1876, the year of Little Bighorn and Custer’s Last Stand, the prolific writer would die in the year John T. Thompson invented the submachine gun." In Smithsonian Magazine, Kenneth Brandt explores the brief life of the author.