Claire of the Sea Light author Edwidge Danticat remarks upon the “split between the Haiti of before the earthquake and the Haiti of after the earthquake” in her interview with Guernica’s Dwyer Murphy. Her latest novel was featured in our Great Second-Half 2013 Book Preview.
Haiti: Before and After with Edwidge Danticat
Come Out and Party with The Rumpus
New Yorkers: tonight you can party with the likes of Sam Lipsyte, Colson Whitehead, Amber Tamblyn, Andrew McCarthy, Nato Green, Nick Flynn, Janine Brito, K. Flay and a whole bunch of the writers for The Rumpus. All it takes is $10 at the door. Festivities begin at Brooklyn's Public Assembly at 7pm. Details can be found here.
●
●
The Spivet App
Always pushing the envelope in terms of how we think about books, Reif Larsen has just announced an iPad app for his novel The Selected Works of T. S. Spivet. As the demo video suggests, this something with much more depth and interaction than just a simple port from print to digital.
Delaney Nolan Photographs New Orleans
I’m thinking about installing a Delaney Nolan bat signal to alert the world of her new work whenever it appears. Previously I’ve evangelized about her writing in Guernica, Necessary Fiction, Sundog Lit, and The Rumpus, but this time I’d like to call attention to her photo essay about New Orleans in the latest issue of Oxford American.
●
●
The Problem with String Theory
Don't tell Paul Murray, but apparently "string theory," much beloved by artists and fringe physicists alike, has zero proof to back it up.
I “Love” This.
I'm glad someone started this blog of unnecessary quotations marks for me. (via @narrativemag).
●
●
New Releases: Crichton, Jin, Bolaño
This week brings the release of Michael Crichton's posthumously published tale of the high seas, Pirate Latitudes and A Good Fall, a new collection of stories by Ha Jin. Also out recently is Melville House's Roberto Bolaño: The Last Interview.
●
●
Outline Obsession
Writers are told that they should outline their work. Elizabeth Gilbert has outdone us all by writing a 70-page outline for The Signature of All Things. "I have no German Romantic idea about work. There’s no fugue state, you know? I could no more write at 3 a.m. than I could with a quill pen. I keep farmer’s hours and I have that sort of plotting and plodding way," she told The Daily Beast.
●
●