Didn’t get a chance to show off your Tolstoy and sexy frames at the last I Like Your Glasses: Literary Speed Dating? Don’t worry because CoverSpy and Housing Works Bookstore Cafe will be hosting another event on October 23 at the store. This time bookworms are restricted to ages 21-39. Tickets are $15 (including a free drink), but to encourage more gents, Millions men can get their tickets for $12 if they use the promotional code “MILLIONS.” Pair with: our essay on attending the first I Like Your Glasses.
Next Saturday I will be competing (fiercely, one hopes) in Scrabble For Cheaters, a charity tournament to benefit 826CHI, Chicago’s chapter of the national creative writing organization (founded by Dave Eggers) that provides free tutoring, field trips, writing workshops and the like to over 4,000 Chicago students a year. To support their work, and augment my ability to cheat during the tournament, click here and scroll down to my team – The Dillon Panthers. Thanks!
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”
Over at McSweeney’s, Sarah Solomon has undertaken the Sisyphean task of bringing existentialism into the twenty-first century. In a series of brief vignettes, Solomon gives the oft-maligned Millennial generation the existentialist makeover they never asked for. Continue your study of the absolute indifference of the universe with this essay by Zach Pontz on The Meursault Investigation, a new novel by Algerian journalist Kamel Daoud that imagines Albert Camus’s famous The Stranger from the perspective of the unnamed Arab antagonists.
As you may have heard, this year marks the fiftieth anniversary of the passing of Sylvia Plath. It also, not coincidentally, marks the release of two new biographies: American Isis (the first to draw material from the recently-opened Ted Hughes archive) and Mad Girl’s Love Song (which looks at the poet’s relationship with her “big, dark, hunky boy”). Emma Garman weighs the impact of all this new scholarship at Salon.