Forget One Direction. Meet the little known boy band made up of John Cage, James Joyce, and Joey Ramone. Cage composed a song based on Joyce’s Finnegans Wake called “The Wonderful Widow of Eighteen Springs,” which Ramone later sang to haunting effect.
Finnegans Punk
Salinger Snaffu
If J.D. Salinger had it his way, we would all probably be dead by the time we got to read his unpublished works. However, someone leaked scans of a paperback entitled Three Stories, including the Catcher in the Rye precursor, “The Ocean Full of Bowling Balls,” on eBay on Wednesday. You can view the PDF here.
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Survival of the Sleek in Publishing
In today’s NY Times, former Simon & Schuster executive Joni Evans ruminates on the Darwinian transformation of publishing, from tactile and sensory (paper and fountain-pen stains and typewriter bells) to e-everything (bidding wars and clean desks); she herself picked flight over fight.
Google Enters the eBookstore Ring
Google took the wraps off its long-awaited ebookstore today. Google ebooks can be bought at Google Books and are also available at Powells and indie bookstore portal IndieBound (both of which are missing out on some serious publicity by not having info about this on their front page today). The ebooks are readable on a variety of platforms, but not on the Kindle (at least not without some tweaking).
Copterboy
As some of you may have heard, a handful of pioneering companies are trying to use flying robots in place of cars for deliveries. In the Bay Area, the geniuses behind Tacocopter are blazing a new path for restaurants, while in France, the postal service in Auvergne is working on a system for newspapers. (Fingers crossed that somebody will try this with lit mags.)
A Quality of Immortality
“When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac.” Here’s something you don’t see every day — an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami’s artistic legacy.
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