Forget One Direction. Meet the little known boy band made up of John Cage, James Joyce, and Joey Ramone. Cage composed a song based on Joyce’s Finnegans Wake called “The Wonderful Widow of Eighteen Springs,” which Ramone later sang to haunting effect.
Finnegans Punk
Tuesday New Release Day: Proulx; Ausubel; Notaro; de Botton; Cline
Out this week: Barkskins by Annie Proulx; Sons and Daughters of Ease and Plenty by Ramona Ausubel; I’m Just a Person by Tig Notaro; The Course of Love by Alain de Botton; and The Girls by Emma Cline (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
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The Adventures of Getting Rich Quick
“[Mark] Twain wasn’t above the contrivances of capitalism, even as he skewered them. . . From nonage to dotage, in dire straits or in the pink, he was always a capricious entrepreneur, counting the zeroes on an imaginary balance sheet.” The New Yorker writes about the humor writer’s many failed attempts to get very rich. From our archives: Twain and the Wild West.
:) :’) :-)
Two weeks ago, the Internet Gods (meaning: the Unicode 7.0 update) gave us hundreds of new emoji symbols, including the middle finger and peace dove. By now our emoji usage patterns can be used by psychologists to understand our minds. “People who use no noses tend to be tweeting more about… Justin Bieber. They have younger interests, younger concerns, whether or not they’re younger.”
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GQ Questions Lorin Stein
Among the breadcrumbs doled out in this GQ slideshow/interview with Paris Review editor Lorin Stein is this: John Jeremiah Sullivan helped him write his job application.
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Barrelhouse to Start Paying
Beginning with issue 12, Barrelhouse will start paying contributors. Prepare your submissions, everybody.
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American Book Awards
The 2014 National Book Awards were just announced earlier this week. In celebration, The Paris Review took a look back at the American Book Awards, which “serve as a reminder that ostensibly prestigious institutions—institutions whose authority and taste depend on their perceived stability—are just as susceptible to whims and trends as the rest of us, which is to say very.”
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