Landlord, patron, gardener, traveler— Elizabeth Gilbert is so much more than a memoirist. Steve Almond profiles Gilbert for The New York Times and finds out about her return to fiction with her new novel, The Signature of All Things. Yet Gilbert doesn’t disparage her Eat, Pray, Love fame and readers, even if others do. “I want to say: ‘Go [expletive] yourself! You have no idea who the women are who read my books, and if I have to choose between them and you, I’m choosing them.’”
Eat, Pray, Write a Novel
Leave Elena Alone
We can’t stop gobbling up Elena Ferrante’s Neapolitan novels, but we also won’t stop asking who Elena Ferrante really is. Why do we need to know the author’s true identity, asks Electric Literature? (Our own Michael Schaub revealed that he was Elena Ferrante earlier this year.)
Make It New
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.
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West of Here
Recommended Listening: Brad Listi in conversation with Stewart O’Nan.
Annie’s Pilgrimage
Annie Leibovitz discusses her new book Pilgrimage, and how the project became a journey of personal and artistic renewal.
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Love and Blue Globes
Recommended Reading: “Three Things I Have Never Told Anyone,” an essay on love, blue globes and things unsaid by Ayşe Papatya Bucak.
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A Disturbance in the Force of the Joyce Estate
Our own Mark O’Connell likens James Joyce’s grandson to a “highbrow Darth Vader.”
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