Landlord, patron, gardener, traveler— Elizabeth Gilbert is so much more than a memoirist. Steve Almond profiles Gilbert for The New York Times and finds out about her return to fiction with her new novel, The Signature of All Things. Yet Gilbert doesn’t disparage her Eat, Pray, Love fame and readers, even if others do. “I want to say: ‘Go [expletive] yourself! You have no idea who the women are who read my books, and if I have to choose between them and you, I’m choosing them.’”
We all spend way too much time in airports this time of year, but Brad Leithauser searched for a metaphor about his journeys through BWI. As he writes for The New Yorker, "There was a piquant pleasure on the night when I first put these two experiences—morning churchgoing, evening airport-going—side by side. I’d been idly and only semi-consciously asking myself what these nocturnal intervals at B.W.I. reminded me of, and now, suddenly, I’d located my metaphor."
“Historians, I believe, are dedicated to fighting against the tide of our social amnesia. The reason they continue to write books about the Holocaust, or Appomatox, or the earthquake in Haiti, is to try to help us remember the suffering and the extent of the damage. Some try to humanize, and others turn to abstraction.” Stewart L. Sinclair writes on burying the remnants of disaster, over at Guernica. Pair with his Millions essay on technology and Apple’s operating systems.
Is readability a myth? In an article for The Atlantic Noah Berlatsky argues that there are no "easy" or "difficult" books, or rather that these are relative terms - a book that gives one person fits may be light reading for someone else. His argument pairs interestingly with our own Emily Colette Wilkinson's "Difficult Books" series.