We’ve been jealous of Harry Potter’s invisibility cloak since The Sorcerer’s Stone. Now scientists can make an invisibility cloak in 15 minutes with Teflon. We’ll never get our Hogwarts acceptance letter, but this is pretty close.
Over at Aeon, Alana Massey writes about memory and how the internet archives personal data. In her own words, “Because the archiving technology captures only snapshots of a site at a given time, results might not be an exact replica of the site as it was. As I learned from the fragments of our site, things such as embedded media might be missing and scripts are unlikely to work. After all, a toy boat is hardly its former self after a lifetime at the bottom of the sea. No matter how intact an archive, it can never fully reconstruct the texture and completeness of the original memory.”
It’s not online but “The Boy Who Had Never Seen The Sea” by newly named Nobel laureate Jean-Marie Gustave Le Clézio appears in this week’s New Yorker. See our recent guest post about publishing Le Clézio.In last week’s New Yorker, Malcolm Gladwell was back, this time talking about “genius.” His guinea pigs were Ben Fountain and Jonathan Safran Foer.The headline says it all: “Karl Marx’s book sells as Germany economy sinks.””The _______of________“The fall issue of The Quarterly Conversation has arrived.
One downside to being an internationally acclaimed author is that people care an awful lot about digging into your past. Haruki Murakami has found this out the hard way, as a librarian from Kobe High School (which Murakami attended during his younger years) has made public a list of books checked out by then-budding author. For more “Murakami meets library,” here’s a review of his own The Strange Library.
“Listen to what makes your hair stand on end, your heart melt, and your eyes go wide, what stops you in your tracks and makes you want to live, wherever it comes from, and hope that your writing can do all those things for other people. Write for other people, but don’t listen to them too much.” Being a writer is really hard. Fortunately, Very Good Writer Rebecca Solnit is here with ten tips on how to be a better one.