Dispatch From the Future and The Fallback Plan author Leigh Stein explains that she is writing her forthcoming memoir, Land of Enchantment, for “everyone who’s been to more funerals than weddings, everyone who lurks on the Internet late at night looking at pictures of their lost loves, everyone who cries when a certain song comes on the radio because they think it must be a sign.”
“The greatest mistake the American writer ever made was asking everybody else what they thought of their writing. Look around your current writing workshop. Look right and left. Most of those people will stop writing. Because it’s too hard, they have no ideas, no one understands them, whatever. A few of those failed people will become editors. These are the only people in the room who should ever really matter to you.”
The 2012 Costa Book Awards (PDF), which recognize books by writers in the UK and Ireland, were awarded yesterday in the Novel, First Novel, Biography, Poetry and Children’s Book categories. Interestingly, each category was won by a female author. Three cheers for Hilary Mantel’s Bring up the Bodies, Francesa Segal’s The Innocents, Mary M. Talbot’s Dotter of Her Father’s Eyes, Kathleen Jamie’s Overhaul, Sally Gardner’s Maggot Moon.
Learn more about Hans Christian Andersen Award winner Cao Wenxuan. “China has given us so many heartbreaking stories. How can you avoid writing about them? I can’t sacrifice my life experience in order to make children happy.” Pair with Edan Lepucki’s piece on the grown-up counterparts to children’s stories.
Michael Wolff’s palace intrigue book Fire and Fury: Inside the Trump Whitehouse has dominated the news cycle this week. After receiving a cease-and-desist letter, publisher Henry Holt and Co. responded by pushing the publication date up four days. Currently #1 on Amazon’s Bestseller list, many independent booksellers say they have sold all their copies as well.
“It was only in 1987, when she went to National Taiwan University, that the censorship laws were relaxed. Yet the censorship laws seemed to have an opposing effect on her literary ambitions. ” Meet Qiu Miaojin, the first woman in Chinese literature to come out as openly gay. Ankita Chakraborty at Longreads has more on this remarkable writer.
“There tends to be this idea that every piece and every assignment and every gig is always something speaking from the soul. We think that about great writers, that they’re incapable of doing hackwork.” The Rumpus interviewed Michelle Dean about women writers, the research process, and her forthcoming book, Sharp: The Women Who Made an Art of Having an Opinion. Pair with: Dean’s 2016 Year in Reading entry.