Dispatch From the Future and The Fallback Plan author Leigh Stein explains that she is writing her forthcoming memoir, Land of Enchantment, for “everyone who’s been to more funerals than weddings, everyone who lurks on the Internet late at night looking at pictures of their lost loves, everyone who cries when a certain song comes on the radio because they think it must be a sign.”
Though Kim Gordon is mostly known for her time in Sonic Youth, she’s also an artist and writer, one who’s racked up art projects and publications over the course of the past forty years. At Full-Stop, Hestia Peppe reviews Is It My Body?, a new collection of Gordon’s essays and other written work. It might also be a good time to read our own Anne K. Yoder on punk and revolutionary nonfiction.
The “good bad guy” has been having his moment on television. From Don Draper to Tony Soprano, America loves the anti-hero. Here’s a look at some literary anti-heroes from over at Ploughshares. You are likely to either agree with or be enraged by this essay from The Millions on likeability in fiction.
“You’re asking if the Race Memoir, the Gender Memoir, or the Sexuality Memoir will survive market trends. I don’t know, but if I put your question in context with Imani Perry’s idea then yes, it will endure. Will it always be ‘trending’? No, but it will endure.” Just one of many great lines from Kima Jones who, along with Terese Marie Mailhot, Meredith Talusan, Ijeoma Oluo, and Kathryn Belden, discusses the current upswing in books on gender and race for Buzzfeed.
“‘Oh,’ she said, ‘a lot of dogs don’t like black people but they’re fine with everyone else.’ … Was this just a workplace microaggression, or are these dogs actually racist? I found myself grappling with the idea that not only do actual humans hate me for being black; dogs could also hate me for reasons that are out of my control.” Kelly Mays McDonald on how we have weaponized dogs in The Awl.