What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”
"I always think, 'What if I can’t?' Then I always think, 'Oh shit, don’t think that.' Because thinking about it can make it happen. Not like it’s happened that often. But I get scared about it. We all do. Anybody that tells you they don’t they’re full of it. They’re always scared it might happen." There's a lot of really bad writing about sex. This is a piece about some of the good stuff.
There’s good news for all of us with embarrassing social media adolescences. After a 34-part, Pulitzer-nominated piece of investigative journalism disappeared from the internet earlier this year, it became clear that nothing on the internet is permanent. Also, don’t blame the internet for your unproductive day–that’s just you.
The North Carolina Literary Festival just announced its lineup for the 2014 engagement, and it’s stocked with Millions favorites. Among others: Junot Díaz, Scott McClanahan, Richard Ford, Ben Fountain, and William T. Vollmann. The festival will take place in Raleigh from April 3rd through April 6th.
This interactive guide to the demise (or, rather, the rise) of the passive voice by Vijith Assar at McSweeney’s is every bit as fascinating as it is troubling. This notable piece from The Millions by Fiona Maazel should act as a nice grammatical complement.