New this week: The Good Lord Bird by James McBride; Night Film by Marisha Pessl; The Twelve Rooms of the Nile by Enid Shomer; The Daughters of Mars by Thomas Keneally; and Holy Orders, a new Quirke novel by John Banville/Benjamin Black. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
Tuesday New Release Day: Pessl, Shomer, McBride, Keneally, Banville/Black
Back When Poets Had Drivers
Chilean Communists want to exhume Pablo Neruda’s body to determine his actual cause of death. The endeavor is being undertaken because Neruda’s “former driver said he received an injection which provoked a heart attack.”
What It Was Like, Down South
You may have read Darcey Steinke’s Year in Reading piece, or perhaps one of her articles here at The Millions. Or else you might have read — or at least heard about — her recent novel, Sister Golden Hair. Either way, you should read this interview at The Rumpus, in which she talks about Virginia, femininity and books that have too much plot.
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In the Sleepy Fishing Village
Over at The New Yorker, Roa Lynn recalls going to Pablo Neruda’s home and getting him to write her a poem: “Would he read a few of the poems that I had brought with me? To my delight, he said that after lunch he would take his customary nap and after that he would read our poems. If he liked them, he would write something for our book.” Pair with this Millions essay about Neruda’s house in Isla Negra.
On Formative Viewings
At The Guardian’s website, Joe Queenan examines a little-known film, The Life and Death of Colonel Blimp, that “beguiled” Martin Scorcese when he was just twelve years old.
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What We Owe
Recommended reading: In a piece for the LA Times David Ulin ponders the ethics of writing. “What do we owe our subjects? Do we have the right to tell their stories at all?”
Indie Bound
Naysayers, consider this: in the digital era, the brick-and-mortar bookstore might be experiencing a resurgence.
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Got Two and a Half Days to Kill?
Hachette Audio has composed a 56-hour long audiobook version of Infinite Jest. In case you’re wondering: no, they don’t read the endnotes; they’re provided as a “bonus PDF.” Also, The Huffington Post gathered two audio excerpts.
Tom Stoppard on life, work, and fly-fishing
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
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