The Times is reporting that a new film and companion book (Salinger by David Shields and Shane Salerno) “include detailed assertions that Mr. Salinger instructed his estate to publish at least five additional books — some of them entirely new, some extending past work — in a sequence that he intended to begin as early as 2015.” One of the books is said to include a retooled version of Salinger’s unpublished (but available at the Princeton library) story “The Last and Best of the Peter Pans.” Kristopher Jansma (The Unchangeable Spots of Leopards) wrote about the story for us in 2011. Bonus Link: Garth Risk Hallberg on Salinger’s legacy.
Last week, I wrote about the disparity between Norman Rockwell’s inner life and the cheerful art that made the painter famous. In the new issue of The Atlantic, James Parker writes about the “unconscious energy” of Rockwell’s work, while on the magazine’s website, Jennie Rothenberg Gritz republishes an old article that examines how Rockwell’s style could seem outdated even in the fifties.
Our own founding editor C. Max Magee is teaming up with our friends at The Bygone Bureau and The Morning News to give a panel discussion at SXSW Interactive 2013 on the future of independent longform writing on the web. If you wanna see the panel make it to Austin, head over the SXSW site to give us your vote. You can register to vote here.
“Wallace’s fiction contains enormous cruelty… But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves.” Chris Power considers David Foster Wallace‘s short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.