Walter White is the new Walt Whitman. “Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints,” Kera Bolonik writes about Whitman’s influence on Breaking Bad.
Consider these two Tumblrs as late additions to my three-part (one, two, three) taxonomy of literary blogs. Writers at Work is three years in the making, so we’re a bit late to the party, but Erasing Infinite, which creates erasure poems out of each page of Infinite Jest, looks like it’s got a long way to go before it’s finished.
Recommended Reading: This excerpt from The Work of the Dead: A Cultural History of Mortal Remains by Thomas Laqueur. In it, Laqueur explores the cultural peculiarities of mourning and the necrobotany of the yew tree, or “tree of the dead.”
“When I was 16 years old, some of my brothers and sisters and cousins [were] going down to the public library trying to get public library cards, and we were told the library was for whites only, not for coloreds. To come here and receive this award this honor is too much. Thank you.” Representative John Lewis upon receiving the National Book Award for volume three of his graphic memoir March, which documents Lewis’s role in the civil rights movement.
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: “The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them.” We agree, and also hope never to read “It was a dark and stormy night…” again.