Walter White is the new Walt Whitman. “Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints,” Kera Bolonik writes about Whitman’s influence on Breaking Bad.
The King’s Speech is the first film to portray my speech defect realistically, says novelist David Mitchell.
“The magical aspect of poetry does not diminish the value of critical scrutiny. Scholarship has clarified the meaning of poetry. The point is rather that an essential part of poetry’s power has little connection to conceptual understanding. Poetry proffers some mysteries that lie beyond paraphrase.” Dana Gioia with a beautiful essay on the enchantment of poetry for The Dark Horse. Check out our extensive On Poetry archive and continue your journey of poetic enchantment.
Year in Reading alumna Sarah Manguso writes about motherhood, writing, and the disintegration of the self in a moving essay for Harper’s. As she puts it, “I want to read books that were written in desperation, by people who are disturbed and overtaxed, who balance on the extreme edge of experience. I want to read books by people who are acutely aware that death is coming and that abiding love is our last resort.” Pair with Jaime Green’s Millions review of Manguso’s Ongoingness: The End of a Diary.
It’s only fitting that Baltimore’s City Paper has an exclusive excerpt from Carsick, the new book by Charm City’s Chosen Son, John Waters. After all, they did offer him some of their weed. Meanwhile, the Pope of Trash recently invited New York Magazine on a hitchhiking ride through Manhattan, his home away from home.
The theatrical trailer for the film adaptation of 50 Shades of Grey was released this week. If you’re keeping track, that means we’ve now got a film based on fan fiction written about another film adapted from a schlocky romance novel involving vampires. (Come at me, Twilight fans.)