Walter White is the new Walt Whitman. “Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints,” Kera Bolonik writes about Whitman’s influence on Breaking Bad.
The Song of the Two Walts
On Migration
Granta asks their contributors what it means to be a migrant or a refugee in light of the crisis in Europe. Twenty-eight authors respond in visual media, personal essays, and poems. You could also read our migrations book list for more perspectives.
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Hemingway Hijinks
Just in case you didn’t know, Mallory Ortberg gives you ways to tell if you’re in a Hemingway novel at The Toast. “Everyone you know respects you. This disgusts you.”
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Brace Yourselves
A graduate of Iowa’s esteemed Writer’s Workshop has reportedly inked a seven figure book deal for a fantasy trilogy being billed as “a female version of George R. R. Martin’s Game of Thrones.” Also? It was inspired by Barack Obama.
Nicole Dennis-Benn Moves Forward
Nicole Dennis-Benn discusses her latest book, Patsy, a novel that explores issues of motherhood, the working class, sexual identity, and immigration.
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A Memory, Deconstructed
In Johns Hopkins Magazine, a remembrance of the Languages of Criticism and Sciences of Man Symposium, which brought together Jacques Lacan, Roland Barthes and Jacques Derrida, among others. About Derrida, Professor Richard Macksey (whose library you may have seen) recalls: “I’m not sure we were clear about where this guy was going.”
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Tuesday New Release Day: Diamant; Horowitz; DFW; Davis
New this week: The Boston Girl by Anita Diamant; Moriarty by Anthony Horowitz; a limited edition of The David Foster Wallace Reader; and The Poem She Didn’t Write and Other Poems by Olena Kalytiak Davis (which I wrote about last week). For more on these and other recent titles, go read our Great Second-half 2014 Book Preview.
No Guarantees At All
The Paris Review once referred to Roberto Calasso as “a literary institution of one.” Calasso stopped by The New York Times to answer a few questions about publication and Italy in anticipation of his forthcoming memoir, The Art of the Publisher.
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