Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer’s Notebook II, published by the folks at Tin House. (Related: we published Harper’s editor Christopher Beha’s essay in the book last year.)
“Will anyone in America give a damn about Beig? It’s hard to imagine our glittering zeitgest machine ever getting behind her, with her landscape, her women, her knowledge of the secret lives of animals born for the hatchet. Her writing, so invested in the disappearing rural world, is particular, yes, but universal: her characters love and long and pine away.” Matthew Neill Null is unsatisfied with how American readers have treated the work of the great German novelist Maria Beig. He makes a passionate case in her favor in this new essay over at The Paris Review.
Out this week: Autonomous by Annalee Newitz; Sun in Days by Meghan O’Rourke; The Good People by Hannah Kent; The Exact Nature of Our Wrongs by Janet Peery; and The Ninth Hour by Alice McDermott. For more on these and other new titles, go read our most recent book preview.
LA Weekly writes up the Los Angeles indie bookstore scene, of which I was once a part. Book Soup, my former place of employment, gets a nice and quite accurate writeup. I’ve never shared my stories on the blog, but, for example, the stuff about Faye Dunaway and Elton John is true. Tyson, the star of the article, was one of our more colorful newsstand employees when I was working there. The article’s take on Book Soup owner Glenn, meanwhile, is hilarious and right on the nose. As a bonus, the LA Weekly’s package includes a little bookstore tour of Los Angeles that serves as a nice counterpoint to the one that Garth created for NYC recently.Speaking of LA, obsessive film fans and those who love them should note that Amazon is having a big sale on Criterion Collection DVDs right now.Looking for a new place to live? The house in which Jack Kerouac was born is now for rent.TEV goes out on a “limn” with Michiko Kakutani.
As part of their ongoing efforts to monopolize all kinds of waterfowl, the good folks at Penguin, headed by the editor Jonathan Bell, have dug up old covers from the company’s defunct imprint, Pelican. The Guardian set up a slideshow that lets you scroll through a selection.
“Without your micro-fiction, we’re like a flightless bird, sauceless noodles, or decarbonated LaCroix. We loved the response to our last contest so much that, naturally, we’re having another one.” Submit your 200-word stories of separation to Paper Darts for its second annual micro-fiction award, judged this time around by Lesley Nneka Arimah (whose What It Means When a Man Falls from the Sky graced our most-anticipated list for the first half of this year).