Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer’s Notebook II, published by the folks at Tin House. (Related: we published Harper’s editor Christopher Beha’s essay in the book last year.)
In his profile of Roger Angell, Sridhar Paddu offers this astute observation from Charles McGrath: “Which is the greater—Roger the writer or Roger the editor? It’s kind of a toss-up.” Bonus: Angell’s piece about Don Zimmer, who just passed away this week, is well worth your time.
Shakespeare invented more than 1,000 words when he was writing, and now we might be able to find out how. Two New York booksellers believe they have found Shakespeare’s annotated dictionary, John Baret’s An Alvearie or Quadruple Dictionarie. Although scholars aren’t quite convinced, you can read the dictionary in full to decide for yourself.
“Given his devotion to empirical fact, it seems odd to think that Galileo’s most important ideas might have their roots not in the real world, but in a fictional one.” Galileo’s crucial contributions to physics may have come from measuring the hell of Dante’s Inferno.
Recommended Reading: This excerpt from The Work of the Dead: A Cultural History of Mortal Remains by Thomas Laqueur. In it, Laqueur explores the cultural peculiarities of mourning and the necrobotany of the yew tree, or “tree of the dead.”
Charlaine Harris is wrapping up the final installment of her popular Southern Vampire Mysteries series next May. The final novel, Dead Ever After, will be the thirteenth book in the set, which means there’s still plenty of material for True Blood to work with.
Daniel Woodrell was so busy dodging bill collectors that he almost missed a telegram from an agent interested in his first novel, Under the Bright Lights. He discusses his writing career, the film adaptation of Winter’s Bone, and how he’s used the same coffee mug since 1974 for The Daily Beast’s “How I Write” series.