Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer’s Notebook II, published by the folks at Tin House. (Related: we published Harper’s editor Christopher Beha’s essay in the book last year.)
The Root of Fantasy
The Old Media Green
In case you were wondering why “old media” companies continue to cling to print: Based on ad revenue, a print reader is worth $709, while an online reader is worth just $46. (via)
The Dungeon Master
Sam Lipsyte’s short story on role-playing games, “The Dungeon Master,” is up at the New Yorker: “The Dungeon Master has detention. We wait at his house by the county road. The Dungeon Master’s little brother Marco puts out corn chips and orange soda.”
“…invisible worlds, unspeakable intuitions…”
At Salonica, Monica Carter interviews Muriel Barbery, author of The Elegance of the Hedgehog, about her new novel, Gourmet Rhapsody.
NaNoNoMore
For all my fellow NaNoWriMo failures, here’s how not to write a novel, romance or otherwise.
Those Brits and Their Book Awards
Phillip Roth wins the Man Booker International prize (a lifetime achievement award that’s a recent invention) and one of the judges steps down in protest. “I don’t rate him as a writer at all.”
Anthony Shadid Dies in Syria
It was shocking to find that New York Times correspondent Anthony Shadid had died, of an asthma attack of all things, while reporting in Syria, especially when he’s put himself in harm’s way so many other times and emerged unscathed. Tyler Hicks, the Times photographer who was with Shadid when he died and who escorted his body out of Syria was, along with Shadid, among of the four journalists captured and held in Libya less than a year ago in the early days of the uprising there. Shadid’s reporting was brave and essential there and elsewhere. His death comes just weeks before the release of a memoir, House of Stone: A Memoir of Home, Family, and a Lost Middle East.
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Thirty Princes
In every country except France, the copyright for The Little Prince expired at the end of last year, which explains why Turkish publishers chose the first two weeks of January to publish a huge number of new translations of the book. At the LRB blog, Millions contributor Kaya Genc writes about the flood of new editions, remarking on the significance of a passage about a Turkish astronomer.
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