It’s an age-old question for writers and thinkers: how do you quiet the noise of your thoughts? In Aeon Magazine, Tim Parks wonders if it’s even possible to silence internal monologues — and, if it is, whether that silence means losing sight of our identities. (Related: our own Mark O’Connell reviewed Parks’s latest book.)
Stopping the Voices
The Wildebeest
At Page-Turner, Daphne Merkin reads Catherine Lacey’s Nobody Is Ever Missing, which follows the journey of a disenchanted New Yorker as she hitchhikes her way through New Zealand. The novel, Merkin writes, features what Leslie Jamison, in her recent essay collection, termed a “post-wounded woman.”
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Fictional Texts
“Each imaginary book is a demonstration of fiction’s magic, as an author deposits into a fictional world yet another fictional world, like one universe bubbling out of another.” On Borges and other authors’ fictional texts and his library of imaginary books. Jeff Peer introduces us to Borges as a professor in his review of Professor Borges: A Course on English Literature.
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Hemingway in Love
One of Hemingway’s friends reveals in a new memoir how the writer’s secret lover changed his life and work. Pair with Stephanie Bernhard’s Millions essay about cooking with Hemingway.
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Rainbow Reads
On the International Day Against Homophobia and Transphobia, The Literary Hub has a list of eight books by LGBTQ authors from places where it’s illegal to be gay, including Here Comes the Sun by Year in Reading alum Nicole Dennis-Benn.
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A Master’s In Self-Publishing?
Because its administrators believe “self-publishing is now a highly successful and respected business model for both new and established authors,” The University of Central Lancashire has created a Self-Publishing Masters program. (Clearly they didn’t read Edan Lepucki’s Millions article from 2011.) According to the program’s official website, “this dynamic course … reveals how to make self-publishing work for you.”
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Where Are You Going, Where Have You Been
Sci-fi writers are partly judged on how well they can predict where society is headed. There’s a reason that books with uncannily accurate forecasts of the future capture our interest long after their release. At Salon, William Gibson admits one way in which he got things wrong: he didn’t foresee the rise of social media. You could also read our own Bill Morris on Gibson’s Zero History.
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Branching Out
So you’ve read Haruki Murakami. Ready to venture into other Japanese literature? Ploughshares has recommendations for you. We reviewed a few of Murakami’s books if you’d like to read further.
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