Do you want to show off your bookshelf online without typing up a list of your books on Goodreads? Well, you strange exhibitionist, you can do that now with Bookshelfies, a Tumblr featuring pictures of people standing in front of — well, you know.
Shelf-Love
Fiction or Defamation?
The novel that had Scarlett Johansson filing charges of “fraudulent and illegal exploitation of (her) name” is due out next month in its English-language iteration. The First Thing You See by Grégoire Delacourt is ostensibly about a garage mechanic who ends up falling for a Johansson lookalike. For more on the legality of literature, here’s an essay for The Millions on J.D. Salinger and U.S. copyright.
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“That shit was too white.”
The introduction Junot Díaz wrote for Dismantle: An Anthology of Writing from the VONA/Voices Writing Workshop has been adapted as a contribution to the ongoing conversation (of which The Millions has been a part) about writing programs at large and about MFA vs. NYC specifically. At issue is Díaz’s (rightful) assertion that an important topic – diversity – hasn’t been adequately addressed in evaluations of the supposed program and publishing dichotomy thus far. (Related: Sandra Cisneros’s “I Hate the Iowa Writer’s Workshop.”)
Appearing Elsewhere
Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: "Art Before Life: Questioning the Parenthood Question."
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Across Space and Time
“These sorts of connections are at the centre of nearly all time machine fiction. These novels usually draw attention to telling commonalities across historical eras, or between the past and the present. That gives an engaging puzzle quality to the books—we read seeking out the dropped clues that will shed light on the purpose of the parallel.” On fiction in which the plot takes place over multiple timelines.
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‘Dazzling’ State of Wonder
Ron Charles calls Ann Patchett's new State of Wonder "another dazzling work" with touches of Heart of Darkness and The Island of Doctor Moreau.
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Line by Line
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.