Congrats are in order for Sergio de la Pava, who just won the $25,000 PEN/Robert W. Bingham Award for his debut novel, A Naked Singularity. For more on the novel, which holds an illustrious place in our Hall of Fame, check out our own Garth Risk Hallberg’s profile of the author from last year.
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
Open City, which is published by the Asian American Writers’ Workshop, is awarding $5,000 grants to “talented Asian American emerging writers looking to hone their creative nonfiction skills by engaging directly with contemporary New York.” The application deadline is April 8.
That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press’s Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there’s yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.