Need to spice up your writing? Try one of McSweeney’s punctuation marks such as the Yellow-Winged Apostrophe, which likes “to ‘peace out’ of its obligation to indicate possession or contraction,” or the Academic Ellipsis, which “is used by those who wish to demonstrate just how much more they know about how to use ellipses than you do.”
Semicolon Shenanigans
Working-Class Heroine
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.
Another Reason to Subscribe to The Millions
With the US Postal Service facing massive cuts to its budget, Saturday delivery may soon become a thing of the past. Print publications are bracing themselves for this possibility.
●
●
Traveling with Orhan Pamuk
Want to see the real Istanbul? Take a tour with the ultimate guide, Orhan Pamuk. The author showed The New York Times’s Joshua Hammer around the city. Pair with: Our review of The Museum of Innocence and our essay on his politics.
“She’s such a Hermione”
You probably knew a Lothario was a character before his name grew into a generic euphemism for “Guy You Don’t Want Your Daughter Dating,” but what about “brainiac,” “mentor,” and “pamphlet”? It turns out character names have been making their way into everyday vocabulary for thousands of years.
●
●
Howard Jacobson on Table Tennis
Tablet Magazine publishes Booker prize winner (and one-time ranked junior table tennis player) Howard Jacobson’s essay on flamboyant ping-pong champ Marty Reisman for the first time in the U.S.
●
●
The Too-Short History of Soft Skull
NY Press has a long look at the history of iconoclastic indie press Soft Skull, which recently shuttered its New York office, effectively ending the publisher’s run as a standalone press and making it just an imprint of California-based parent (and, it should be noted, rescuer from financial straights) Counterpoint. Incidentally, I’ve had a front row seat for all this, as, for the book I’m co-editing, I was initially working with the good folks in New York and then everything was suddenly (and thankfully without a hitch) transferred to the folks in Berkeley. (Thanks, Craig)
●
●