Need to spice up your writing? Try one of McSweeney’s punctuation marks such as the Yellow-Winged Apostrophe, which likes “to ‘peace out’ of its obligation to indicate possession or contraction,” or the Academic Ellipsis, which “is used by those who wish to demonstrate just how much more they know about how to use ellipses than you do.”
Willard Spiegelman’s provocative essay in the VQR’s recent State of American Poetry issue, “Has Poetry Changed?” incited quite a few responses. One of the better rejoinders came from William Childress, whose response, “Is Free Verse Killing Poetry,” raises some excellent points. “Poetry needs readers, not writers,” writes Childress. “But how many poets read any poetry but their own?”
“We live, in short, with local exceptions, in a dissociated world held together by fragile links of utility and self-promotion underpinned by laws of mutual advantage—a materialist ethos and cosmos that cannot but influence cultural representations and, hence, art, including poetry.” On John Donne and the humanity in art.
How did Ian Fleming come up with James Bond? It’s easy to think, considering the political context of his era, that Fleming tailored his superspy to be the ideal hero of the Cold War. Yet there’s another, more prosaic explanation — was the author simply having a midlife crisis?