Need to spice up your writing? Try one of McSweeney’s punctuation marks such as the Yellow-Winged Apostrophe, which likes “to ‘peace out’ of its obligation to indicate possession or contraction,” or the Academic Ellipsis, which “is used by those who wish to demonstrate just how much more they know about how to use ellipses than you do.”
Semicolon Shenanigans
Courtney Zoffness Puts Messiness on Display
Courtney Zoffness discusses her book, Spilt Milk, and how writing it was an exercise in embracing uncertainty.
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‘A Letter in Living Color’
Says the New York Times: “We recently received, in a tube sent by postal mail, something new in our experience: a 15-foot-long scroll to the editor.” (via @LettersOfNote)
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An Examination of the Trauma Plot
The ways we write about trauma have evolved. "In a world infatuated with victimhood," Parul Sehgal writes for The New Yorker, "has trauma emerged as a passport to status—our red badge of courage?"
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Junot Díaz’s Twitter Fiction
As part of the ongoing Miami Book Fair International festivities, WLRN is giving readers a chance to co-author a story with Junot Díaz. Beginning at 5pm today, they will tweet out the first line to a story—provided by Díaz—from their Twitter account. Then readers will use the hashtag “#WLRNStory” to add onto Díaz’s line, and later each other’s lines, and ultimately the entire thing will unfurl before them.
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The Perks of Being A Wallflower
“Eleven years later, the Atlantic Monthly editor, Thomas Wentworth Higginson, made a similar request to an obscure, retiring poet named Emily Dickinson who had written a letter asking if her verses ‘breathed.’ Her response was much like Melville’s, if typically elliptical: ‘Could you believe me—without? I had no portrait, now, but am small, like the Wren, and my Hair is bold, like the Chestnut Bur—and my eyes, like the Sherry in the Glass, that the Guest leaves—Would this do just as well?'” The age-old problem: how writers deal with publicity.
Tuesday New Release Day: Shriver, Leyner, Keret, Sebald, Larkin
New this week are The New Republic by Lionel Shriver, The Sugar Frosted Nutsack by Mark Leyner, Suddenly, a Knock at the Door by Etgar Keret, W.G. Sebald’s Across the Land and the Water: Selected Poems, 1964-2001, and The Complete Poems of Philip Larkin.
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