Soundtracks make for excellent background music when writing a Pulitzer Prize-winning novel. Junot Díaz wrote his first book with the Conan the Barbarian soundtrack on loop, he said during an interview with The Daily Beast.
Out this week: The Animals by Christian Kiefer; The Precious One by Marisa de los Santos; A Reunion of Ghosts by Judith Claire Mitchell; The Lost Boys Symphony by Mark Andrew Ferguson; The Wisdom of Perversity by Rafael Yglesias; The Shadow of the Crescent Moon by Fatima Bhutto; The Wednesday Group by Sylvia True; Night at the Fiestas by Kirstin Valdez Quade; and Notes from a Dead House, a new Dostoevsky translation by Richard Pevear and Larissa Volokhonsky (whom we’ve interviewed). For more on these and other new titles, check out our Great 2015 Book Preview.
New this week is a debut collection of loosely linked stories that’s been getting some attention. Military families are the common theme in Siobhan Fallon’s You Know When the Men Are Gone. Another newly released debut is Eleanor Brown’s The Weird Sisters about a Shakespeare scholar’s three daughters, all named after characters from the Bard’s plays. Also new this week, a tome dedicated to the “hot” condiment of the moment, The Sriracha Cookbook.
Albert Uderzo, co-creator of Asterix, announced his retirement yesterday. Since 1977, Uderzo has been the sole author of the popular French comic books, which have sold over 350 million copies worldwide. His successor has yet to be named, though Uderzo said it will be an artist “who has been following us for a long time inside a studio I set up.”
Where The Wild Things Are, the beloved children’s story written and illustrated by Maurice Sendak, arrives in US theaters in cinematic form this Friday, October 16th; see the trailer here. The excellent Spike Jonze (Adaptation, Being John Malkovich) directs.
In an interview with Big Think back in 2008, David Remnick said of Philip Roth that the writer “would have been my father had Philip Roth not been a literary intellectual but rather an orthodontist in North Jersey.” At The New Yorker’s website, Remnick eulogizes Roth’s work upon his retirement. (Keith Meatto did the same thing for us.)