Soundtracks make for excellent background music when writing a Pulitzer Prize-winning novel. Junot Díaz wrote his first book with the Conan the Barbarian soundtrack on loop, he said during an interview with The Daily Beast.
Edvard Munch’s The Scream recently garnered a record breaking $119.9 million at Sotheby’s in New York. Despite the “tasty narrative potential” of the iconic artwork, the Pulitizer Prize winning art critic Holland Cotter thinks that the painting’s new owner spent their vast sum of money unwisely.
In 1969, Random House’s Book of the Month Club offered members an edition of Lewis Carroll’s Alice in Wonderland illustrated by Salvador Dalí. (You can view the full collection here.) Forty-three years later, the publisher had a mail delivery experience that was almost equally surreal.
Two French novelists, two books about dead babies: Literary cat fight, canny PR scheme, or “psychological plagiarism”? Read all about the literary feud that’s captivating France here.
The January issue of Asymptote is out, featuring an excellent interview with Year in Reading alumnus Junot Díaz about language acquisition and diasporic identity. As he puts it, “I live a life where both English and Spanish are in italics in my brain. It costs me no extra effort; it doesn’t feel unusual; it doesn’t feel like an infirmity, but it does strike me every now and then that there are people who don’t pick over their language the way I do, who aren’t so self-conscious of what they’re saying, who have a natural tongue.” Pair with Thea Lim’s Millions essay on race and gender in Díaz’s books.
Recommended Reading: On Raymond Carver’s birthday, his brother James stopped by Electric Literature to share his memories of what it was like growing up with the man behind such works as Will You Please Be Quiet, Please and What We Talk About When We Talk About Love.