John Domini reviews Joseph McElroy’s Cannonball in the pages of Bookforum. In our Great Second-Half 2013 Book Preview, our own Garth Risk Hallberg wrote that, “this, his first novel in many a moon, concerns the Iraq War, among other things, and it’s hard to think of an author more suited to reimagining the subject.”
The new poet laureate of Canada wants to clue his readers in to the prevalence of poetry in their everyday lives. “People often don’t realize they’re surrounded by poetry,” he said in an interview with The Globe and Mail. “At the very least, it’s in the songs they listen to.”
The story of how a publishing house began is the definition of literary inside baseball, but this piece by Jonathan Galassi — in which the FSG president responds to an upcoming book on the heyday of his company — does a pretty nice job of spurring a general reader’s interest. Among other things, it reveals that First Wife Dorothea Straus once called the company’s office “a sexual sewer.”
“An appreciation of readers as diverse individuals with different tastes should be a basic tenet of criticism. Instead, it’s common for critics to imagine that their aesthetic preferences are the reflections of “readers” or a special class of readers—“serious readers,” “imaginative readers,” “brave readers,” or some other ill-defined category—whose views truly matter.” Lincoln Michel explains why “there’s no such thing as a fake reader” in an essay for Electric Literature.