John Domini reviews Joseph McElroy’s Cannonball in the pages of Bookforum. In our Great Second-Half 2013 Book Preview, our own Garth Risk Hallberg wrote that, “this, his first novel in many a moon, concerns the Iraq War, among other things, and it’s hard to think of an author more suited to reimagining the subject.”
"Language on a daily basis is being recycled. Our students are learning the language of the old and new masters; they are taking them in, mixing their words with the language they know, creating something new. Yet something there remains. Something familiar. Something like a forgotten first kiss. Like a well-known song sung in a different language." Ira Sukrungruang on "Thirteen Ways of Looking at Deep Reading and Mimicry, With an Ending that Totally Plagiarizes Wallace Stevens." After all, who doesn't want to plagiarize Wallace Stevens?
“When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances and with certain modifications, they may be, and they are delightful, as we every day experience. The cause of this I shall endeavour to investigate further.” David Shields quotes Edmund Burke in an interview about his new book War Is Beautiful.
We are now over a week into Amazon's boycott of the indie press e-books distributed under the Independent Publishers Group. IPG is taking a stand against Amazon's hardline negotiations during the retail giant's annual contract review, and 5000 titles are no longer available through the Kindle store. Last week Jim Hanas, author of the digitally and independently published Why They Cried, spoke out against Amazon to champion other e-readers and e-book retailers. The renegotiations are taking place across the industry, though, as Melville House's Dennis Johnson puts it, "major industry figures at the big houses in New York — facing similar cutthroat demands from Amazon for their own annual contracts — remain silent... This isn't over yet."
At the Electric Literature blog, Judson Merrill responds to his many rejection letters: “If you were that excited about my submission, I’m concerned you may have read it with unfair expectations... I’ve reattached my submission under the new title ‘Eight Pages of Tripe’...”