No Word on What He Thought of Richard Simmons

“Our contemporary analogues to the personal notebook now live on the web — communal, crowdsourced and shared online in real time.” Jenna Wortham writes on how archiving the Internet would change history. We’ve written about the implications of the Internet more than once.

“Maurice Sendak drew his partner Eugene after he died, as he had drawn his family members when they were dying. The moment is one he was compelled to capture, pin down, understand, see. Where many— maybe most—people look away, he wanted to render. He was very wrapped up in the goodbye, the flight, the loss; it was almost Victorian, to be so deeply entranced with the moment of death, the instinct to preserve or document it. It’s also the artist’s impulse: to turn something terrible into art, to take something you are terrified of and heartbroken by and make it into something else. For the time it takes to draw what is in front of you, you are not helpless or a bystander or bereft: You are doing your job.” On Maurice Sendak and the art of death.

Cheers to @Selorian for becoming the 1,000th follower of @The_Millions on Twitter.