“When people are young adults, they have these packs, or tribes, that they form. Those connections are very real, and yet another, more powerful social narrative is that you’re supposed to pair off and have children—and never see your friends again. In the case of the gay world, there’s an additional element, in which you’re supposed to spin away from your straight friends and be part of a gay world. Both ideas of adulthood are sad to me, and I was attracted to a group of friends as a lost paradise, and one that there’s no way to keep.” At The Paris Review Daily, Anna Altman talks with Caleb Crain about his new book, Necessary Errors.
Necessary Losses
To Boldly Go
“[Maria] Bamford’s newest show…is a more polished product, but equally radical—as unsettling as anything Andy Kaufman ever did.” Is the Internet the comedy world’s final frontier?
●
●
Boltanski’s No Man’s Land
French installation artist of the forgotten, Christian Boltanski, presents a new exhibit in New York: a vast landscape of old clothes and biscuit tins entitled No Man’s Land at the Park Avenue Armory. Image gallery at The Daily Beast.
A Story of Decline
Last month, in a review for The Millions, Chris Barsanti called George Packer’s The Unwinding an “awe-inspiring X-Ray of the modern American soul.” Now, in The Guardian, Sukhdev Sandhu calls the book “decent, meticulous and concerned,” though it could have benefited from the “roiling prose-fire of Rolling Stone journalist Matt Taibbi.”
The Franzen Printing Error
●
●
Who Pays?
Once again, the old “who pays writers?” debate, this time courtesy of The Atlantic. Further reading: “Writers should be paid $1 million per article.”
Sunday Thoughts and Links
I really dug this write up of a visit by Edward P. Jones to a Seattle high school, where he talked to some kids about being a writer. I’m fascinated by Jones’ persona. He’s not a hermit, but neither is he a part of the more public contemporary literary crowd, all of whom seem to be associated with the same causes and who enjoy this sort of literary pseudo-fame while at the same time making a bit of a show about shying away from it. Of course I’m overgeneralizing here, but I’m sure you can think of some writers who might fit that description. I suppose my larger point is Jones seems to me to be a writer who, in an earlier time, would have only achieved fame late in his career or even posthumously, and I’m just really glad that he has gotten the acclaim that he deserves.I saw the movie Fever Pitch last night and enjoyed the way last year’s baseball season was woven into the story so well. It also made me very curious to read Nick Hornby’s novel by the same name, in which the protagonist is a rabid soccer fan. I’m not a big Hornby fan, but I’m very curious to see if they managed to swap out the sport at the center of the story while keeping the same overall feeling. Quite a feat if they managed to do a good job of it. One thing is clear though, trying to slap a movie tie-in cover on Hornby’s book wouldn’t have worked very well.Rodger Jacobs has set up a blog to track entries in his “Fitzgerald in Hollywood Short Fiction Contest.”Chicagoist looks at books “with local ties.” I’ve read All This Heavenly Glory and Gods in Alabama, but the third book The Week You Weren’t Here by Charles Blackstone sounds interesting.
●
●
It’s the reader.
In his review of Ben Marcus‘s The Flame Alphabet for the LARB, Lee Konstantinou suggests that we have now moved well beyond the death of the author: “In an era where everyone has a novel waiting to come out, authors are legion; it’s the reader who seems, well, dead.” When we interviewed Marcus earlier this year he did not seem particularly mournful. We also reviewed the novel.