Over the past few years, the Movoto Real Estate blog has become the internet’s number one destination for appraising the real estate in the Harry Potter universe. First they estimated the value of Hogwart’s Castle to be around $204 million, and now they’ve turned in an estimate of the Weasley family’s Burrow near Ottery St. Catchpole.
Muggles Appraising Wizards
Fear Factor
Colson Whitehead has some advice: write the book that “scares you shitless.” In a recent, wide-ranging interview with John Freeman, the Underground Railroad author talks about why he wrote his latest novel, along with his methods for sussing out good ideas. You could also read our review of The Underground Railroad.
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Practical Classics (Even When You Hate Them)
Year in Reading contributor Kevin Smokler’s new essay collection, Practical Classics, explores the benefits of revisiting the first books you read (even if you hated them). In fact, the difficult and excruciating books have a particular value. “Books aren’t all supposed to be our best friends,” says Smokler in a new Rumpus interview. “Sometimes they’re supposed to be that difficult friend who encourages us to do things that we don’t feel are rational or grown-up.”
On the Most External of Hard Drives
Scared of relying on the cloud? Worried your book-in-progress might disappear into cyberspace? How would you feel if you could save your files on — wait for it — the Moon?
“It will not be simple, it will not take long”
Poet and essayist Adrienne Rich passed way this afternoon at the age of 82, the LA Times confirms. Her influence on writing and activism is immeasurable, and this is a sad day of all of literature. The Poetry Foundation’s short biography of the poet is not to be missed, and nor are her poems “Final Notions,” and “For the Dead.”
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The Poet’s Novel
Do poets make great novelists? Naja Marie Aidt, a phenomenal poet-novelist herself, picks her favorite novels by poets, featuring Anne Carson’s Autobiography of Red, Ben Lerner’s Leaving the Atocha Station, and more.
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Adorkable
“Our Aesthetic Categories, though, argues on behalf of aesthetic experiences that aren’t quite so awe-inspiring or rare. Sitting before your computers or walking the streets of your town, you don’t encounter beautiful things as frequently as you do interesting, momentarily arresting ones—and as for the sublime, when was the last time you experienced catharsis? Instead, [Sianne] Ngai considers our ‘minor’ aesthetic experiences, the ones that make up our day.” In the era of adorkable and nerd chic, Slate looks at Our Aesthetic Categories: Zany, Cute, Interesting.
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