Comics specialist Dominic Umile checks out March: Book One, the first installment in a nonfiction graphic novel trilogy and biography of civil rights activist and current Georgia Congressman John Lewis.
John Lewis’s March
Next Up, the Auckland Teal
As part of their ongoing efforts to monopolize all kinds of waterfowl, the good folks at Penguin, headed by the editor Jonathan Bell, have dug up old covers from the company’s defunct imprint, Pelican. The Guardian set up a slideshow that lets you scroll through a selection.
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Algorithmic Forecasting
The Financial Times takes a detailed look at the Financial Computing Centre, home of future quants, where Michael Galas is working to build "a hedge fund without employees" and a crop of PhD candidates are using social media to predict the markets. Could these algorithms one day spill beyond finance, and influence education or social sciences?
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Guiding Light
In case you missed it: Google bought Frommer's last August. Then in April, Google announced that it would stop printing hard-copy guidebooks, so founder Arthur Frommer bought his company back. All of this has led Doug Mack to argue that not only do we need guidebooks, but they should be part of the literary canon. "They also stand out for shaping history, if not always intentionally, because of their authoritative reputation—they have long been the best insight into that which would be otherwise unknown."
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The Literary Long Sentence
"In this age of 140-character Twitter posts — not to mention a persistent undercurrent of minimalism in our literature — there’s something profoundly rejuvenating about the very long sentence." From Hrabal to Joyce to Hugo, Ed Park explores the history of the literary long sentence.
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Readers and Returns
"I would argue that decent books coverage in a daily newspaper — especially when it’s presented in such a way that readers are likely to stumble over it and discover titles they might not otherwise have heard of — is more supportive of writers in the long run than a scholarship program." At Salon, Laura Miller explores literary culture and the downsides of the MFA, which include teaching high school.