John Lewis’s March

For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.

A Cambridge professor has identified the earliest use of the ellipsis in English literature. Find out more at The Guardian. Sam Anderson reminds us that ellipses are good in moderation through an examination of Dan Brown’s Inferno.

I’ve gotten a little behind in my reviews of books I’ve read recently. Maybe I’ll get to it this weekend or early next week. In the meantime here are three literary links that caught my eye today:The many challenges of turning books with non-textual elements into audiobooks. Also discussed: how to verbally render David Foster Wallace’s copious footnotes. (New York Times).Daedalus, the big remainder house, is opening a standalone bookstore in Baltimore (Baltimore Sun). Previously: I discuss remaindered books – and buy some, too!A mysterious person – or possibly persons – has been placing roses and a bottle of cognac on Edgar Allen Poe’s grave each year for 57 years on the anniversary of the writer’s birthday. This year some nosy people got in the way, but the meaning behind the ritual and the identity of the visitor remains hidden. (Guardian)

Simon DeDeo writes for AGNI about the first line of Paradise Lost, John Milton’s first disobedience. As he explains it, “The line is a syllable too much. In Milton’s blank verse epic—iambic pentameter, five sets of two-syllable feet—the opening has eleven syllables, not ten.”