Gary Shteyngart’s Super Sad True Love Story is now a reality. He got to try Google Glass and wrote about the experience for The New Yorker. “When the velvet-rope hostess at the of-the-moment Wythe Hotel bar in Williamsburg stops to take a photo of me with her iPhone, I know exactly what the producer meant. This is the most I will ever be loved by strangers.”
Gary Shteyngart Becomes A Glasshole
Captain Pentagon
“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”
●
●
The Ziggy Stardust Bookclub
David Bowie hasn’t performed live in seven years, but he has a good excuse — he’s been reading. His top 100 books are part of the “David Bowie Is” traveling exhibition (currently in Toronto.) The list reveals that he’s a big fan of American lit, including Michael Chabon’s Wonder Boys, Saul Bellow’s Herzog, James Baldwin’s The Fire Next Time, and more. He’s also an amateur rock historian, naming Charlie Gillete’s The Sound of the City: The Rise of Rock and Roll and Peter Guralnick’s Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom among others. When can we sign up for the class, Professor Bowie?
●
●
What Was the Hipster?
n+1 posts several amusing excerpts from their “What Was The Hipster?: A Sociological Investigation” piece to be released in full later this month: “Like ‘douchebag,’ ‘hipster’ was a name that no one could apply to oneself. But the opportunity to call someone else a ‘douchebag’: that offered the would-be hipster a means of self-identification by a name one could say, looking outward. In the douchebag, the hipster had found its Other.”
●
●
Peeling Back the “Mask of the Whiskey Gentry”
In a long investigation of Hunter S. Thompson’s classic essay, “The Kentucky Derby Is Decadent and Depraved” (PDF), Josh Roiland takes readers to church by pointing out exactly what’s so alluring about the piece, which “scholars often point to … as the origin of Gonzo Journalism.”
●
●
Caught
“Were you happy? With Green it’s likelier you were in love, attuned to the littlest differences, rapt at eventless descriptions that should be boring but aren’t, in awe of the way a cut-rate bunch of flowers is described, interpreting each symbol as a sign, sickened when your interpretation failed.” On the novels of Henry Green.
Leemos En Español
“You are what you brought from your country? Or you are what you learned here?” The New York Times visits Librería Barco de Papel, one of New York City’s last remaining Spanish-language bookstores. The space also operates as a community and cultural center for the Jackson Heights neighborhood, where roughly half of the 67,000 residents identify as Latino. If you want to feel some more feelings about the state of independent bookstores, check out this old Millions piece about paving paradise and putting up a Chipotle.
●
●
It’s Hard to be a Protagonist
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.