“Memoirism is perfect if you’re new to autobiographical writing and want an easy and enjoyable way to tell your story without necessarily having to live it. The software allows you to create memories that appear up to 99% accurate, so you can focus on your home, school, or work.” On a revolutionary new writing tool.
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”
You can get acquainted with Charles Wright, the nation’s newest Poet Laureate, by checking out interviews he did with StorySouth and The Paris Review, and also by reading his work – much of which can be found online. Might I suggest this poem, which was published by the VQR?