For only $1.65 million, you can have a piece of Joan Didion’s childhood. Her high school home, The Didion House, is on the market in Sacramento. Before you make a bid, it might be good to brush up on California with Didion’s 2003 memoir, Where I Was From.
“How is the life of a creative person—an artist, a designer, a composer—related to his or her work?” The New Yorker lists 7 archived pieces by way of answer.
Since 2003, Spain has seen its “average number of regular readers” climb from 47% (one of the three lowest in the EU) to 60%. During that time, writes Alasdair Fotheringham, the number of library borrowers in the various parts of the country has risen between 50 and 150%. Yet in spite of this burgeoning trend, library budgets are still at risk of further austerity cuts. Meanwhile, almost the exact same thing is happening in Florida’s Miami-Dade County.
To the debate over whether or not male writers have trouble creating realistic female characters, we can add the opinion of Ester Bloom, who argues at The Hairpin that most male writers mold their female characters according to four archetypes: the virgin, the whore, the mother and the bitch.
The New York Times interviews Jacqueline Woodson, National Ambassador for Young People’s Literature and Tracy K. Smith, poet laureate of the United States for National Poetry Month. They discuss black history, bringing poetry to the central and rural parts of the country and to those who are incarcerated and why poetry isn’t as popular among adults. “Listening to music and lyrics and watching movies, I think, uses a lot of the same muscles we use in reading and experiencing poetry — and yet we somehow forget that we have those when it comes to sitting down with a book of poems.” It’s a delight, happy Saturday!