“A chemist colleague of mine runs a seminar in which art and science are brought together. And one such session was devoted to olfaction. And there was an olfactory physiologist from Columbia and a friend of his, a parfumier. Forgive my French accent. And the parfumier had made something unlike anything ever encountered on earth. And it had a very strong smell which aroused no associations and could not be compared to anything. One realized this was absolute novelty.” The Rumpus interviews Oliver Sacks about his new book, Hallucinations.
Visionary, Part Deux
Best Book Covers of 2009
Amazon has 60 books in 10 categories up for a vote for “Best Book Covers of 2009.” There’s plenty of literary eye candy in the mix.
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Greed is Good Again
There’s a trailer out for the upcoming sequel to Wall Street. Gordon Gekko and his giant mobile phone are back. He is joined, regrettably, by Shia LaBeouf.
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The Realities of a Tiny House
“AYN: This house was built in 1835 but, as you can see, the antiquated design elements suggest the work of a second-rate architect in love with the past who never had an original thought in his wasted life.” Go check out the newest episode of Ayn Rand’s Objectivist House Hunters at McSweeney’s.
Rote She Wrote
At The NYT Mag, Virginia Heffernan‘s “Drill, Baby, Drill” explores the possibility that drills and memorization might not be quite as oppressive as some of the kinder, gentler pedagogues of our time suggest and offers a list of aps to help aspiring rote learners (Nota Bene: VerseByHeart).
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Batuman the Bestseller
Brilliant, funny essay by Elif Batuman about “life after a bestseller,” including the time she asked Jonathan Franzen if had any weed. Bonus Link: Batuman at The Millions.
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Editorial Notes
“Writers such as Gary Lutz, Diane Williams, Christine Schutt, and Noy Holland palpably employ, in somewhat different but observable ways, the strategy [Gordon] Lish calls ‘consecution,’ the focus on constructing and linking sentences by considering sound and rhythm as well as sense.” At Full-Stop, Daniel Green examines the editor’s influence in a piece on Noy Holland’s new book.
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