New Directions releases César Aira’s The Hare this week. The novel was featured on our Great Second-Half 2013 Book Preview not long ago. Today also marks the release date for David Foster Wallace and Mark Costello’s Signifying Rappers, which is being re-released by Little, Brown.
What do indie rock musicians share in common with experimental writers? A great deal, and not just a distaste for both of those over-used adjectives.
Last week, Emily Gould recommended Nell Zink in her Year of Reading piece, extolling Zink's novel The Wallcreepers as a “funny, profane, [and] deeply weird book.” At The Paris Review Daily, Matthew Jakubowski interviews the author, who talks about living in Germany, reading too much Kafka and writing for Jonathan Franzen.
"Forty years later," Romesh Ratnesar writes "the Stanford Prison Experiment remains among the most notable—and notorious—research projects ever carried out at the University."
The "Bloggies" are back. Looking at this year's nominees, our thoughts from last year still hold true.We try not to rag on the NBCC too much around here, but inadvertently giving your big book recommending initiative the same name as a wildly popular reading-focused social network just smacks of cluelessness.People are still ripping on litblogs. This time, it's Bud eloquently defending our honor.The New Yorker has presented its portfolio of winners in its contest to "redefine Eustace Tilley," the magazine's dapper icon.Free, downloadable mini-books from Chicago's Featherproof BooksDoes Malcolm Gladwell's The Tipping Point hold up in the real world? Not exactly.FSG's Lorin Stein reviews Norman Rush's Mortals: "the most brilliant book of the new century [maybe]."Granta's 100th issue (congrats!) is here. William Boyd's introduction offers up some history on the magazine.Just in time for "Super Tuesday," Michael Chabon throws his hat in the ring for ObamaAttention "Oregon Trail" fans, outdoor equipment company Thule offers a goofy remake of the game. Ah, advertainment. (via)Finally, an important question, answered.
"I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend." Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, "the chaos of memories," and becoming a writer. Pair with David L. Ulin's reflection on Bergman's essay and the way we think about memory, written for the LA Times.