In the early eighties, when the writer James Lasdun was working in publishing, he rejected a book by a writer who turned out to be a pen name for Doris Lessing. The fallout? He couldn’t bring himself to read her work until this year. (Related: our own Mark O’Connell’s interview with Lasdun about his latest book.)
E.V. de Cleyre writes for Ploughshares about sentimentality. As she puts it, “It is not enough to have a feeling and express it—we must exercise discernment, ask what these feelings we’re feeling are, dissect them, and find the language that matches how they look, feel, smell, and taste.” Pair with this Millions essay on literary sentiment.
A very thoughtful essay by Millions contributor Patrick at his home base, the Vromans bookstore blog. The nut of the piece is the idea that publishers can and should create stronger brand identities. Patrick points out some publishers that are already doing this, and there's some great stuff in the comments as well. The piece is a reaction to an equally interesting essay from if:book.
When our own Mark O’Connell reviewed Edouard Levé’s Autoportrait, he wrote that the book compels you to keep reading because “the more Levé says, the more facts he sets down, the more you realize he hasn’t said.” But what if at the end, you’re meant to reread the book, too? Over at Words Without Borders, Jan Steyn says “the only way to get a better idea of how [these sentences] fit together is to keep reading, and reading, until the end, and then perhaps to read the book again.”
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”