Chuck Palahniuk dropped big news at San Diego’s Comic Con last week: he’s currently working on a follow-up to Fight Club… in the form of a graphic novel. “It will likely be a series of books that update the story ten years after the seeming end of Tyler Durden,” he told attendees. “It will, of course, be dark and messy.”
Will Staehle designed the cover art for Michael Chabon’s latest novel, Telegraph Avenue (Millions review), and his finished project is certainly eye-catching. But what of the designs that didn’t make the final cut? Over at the Huffington Post, you can take a look at some of his other ideas.
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
“When, like Alice Munro, you feel your way forward, sniffing and digging and groping toward a truth virtually beyond words, it takes a long time. And the structures, organic to that process, are as miraculous and indicative and expressive of that truth—one of the deeper truths of human life—that fiction is all about.” Elizabeth Poliner explains how mapping Alice Munro’s stories made her a better writer. Never read Munro? Check out our beginner’s guide to her stories.
"His books used to be ink on paper; now we have to squint through the cloud of the Ellroy Phenomenon." And the James Ellroy Phenomenon looks like it will only continue: the author has announced plans for a second L.A. Quartet, the first of which, Perfidia, comes out next week.
“I very quickly realized that if you want to seem as a serious writer, you can’t possibly look like a person who looks in the mirror.” Author, Boots spokesperson, Year-in-Reading alum, and all-around badass Chimamanda Ngozi Adichie talks to The New York Times about beauty, feminism, and writing.