Twenty-five years ago this month, Mary Gaitskill published Bad Behavior, a story collection so accomplished that even Michiko Kakutani thought the book had “radar-perfect detail.” Now, to commemorate the anniversary, The Slant interviews Gaitskill, who discusses her debut and the effect of porn on our culture. (In case you didn’t know, a story in Bad Behavior inspired the movie Secretary.)
Yesterday, Amazon announced “Kindle Library Lending,” a new feature coming later this year that will allow users to go to their local libraries and “check out” books to their Kindle. The eBooks can be kept for about the same amount of time as a normal library book. The users can take notes in the margin, which, if they decide to buy the book or check it out again, will still be there. Technology!
Amazon’s “Public Notes” feature kindle.amazon.com isn’t as new as some are saying, but it might be creepier than you think. In other Kindle news, GalleyCat‘s put together a “how-to” guide to copy and pasting text selections from one device to another.
Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)
Two ways of looking at a book: “Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page.”
There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.