Surely you’ve heard the hype by now. Surely you’ve seen someone blushing and shifting their eyes askance while reading this book in public. Well, now you can get a taste of what the fuss is all about. You can read the beginning of Alissa Nutting’s Tampa courtesy of Dzanc Books and The Collagist.
“He’s too good-looking”
The Canyons Gets a Trailer
After securing the necessary funds on its Kickstarter page, and after enduring Lindsay Lohan’s trademark version of “professionalism,” The Canyons looks like it will finally be released next month. The film, which was written by Bret Easton Ellis and directed by Paul Schrader, got its first official trailer this week.
Another Place and Time
Edmund White considers writers’ obsession with New York City in the 1970s, with photography by Peter Hujar. As White puts it, that was “a place and a time in which, rich or poor, you were stuck together in the misery (and the freedom) of the place, where not even money could insulate you.”
●
●
Your Kahlo and My Kahlo
If you live in London, and you like the idea of a play in which “two women [try] to put on a one-woman play about Frida Kahlo in whom neither of them is really interested,” you should stop by the Bridge House Theatre, which is playing Chris Larner’s The Frida Kahlo of Penge West until November 23rd. At the LRB blog, Rosemary Hill provides a brief review.
●
●
Sans Serif
Garamond or Helvetica? Times New Roman or Le Monde Journal? The stories behind your favorite fonts.
Writing From Beyond the Grave
Do famous authors owe it to the reading public to publish their unfinished works after death? Casey N. Cep traces the contentious history of writers’ estates.
●
●
Cohen on Joyce
On Bloomsday, Joshua Cohen highlights Joyce’s heirs around the world.
●
●
Can You Learn to Love the Adverb?
The saying goes that “the road to hell is paved with adverbs,” but at Beyond the Margins Robin Black makes the opposite argument. “I want you to love adverbs,” she begins, but “more than that, I want you to believe, as I do, that adverbs are the part of speech that best captures the human condition.”
●
●