Guillermo del Toro’s next film will bring us to Tralfamadore. He is adapting Kurt Vonnegut’s Slaughterhouse-Five with Charlie Kaufman writing the script. “I love the idea of the Tralfamadorians to be ‘unstuck in time,’ where everything is happening at the same time. And that’s what I want to do,” del Toro told The Daily Telegraph.
Filming in the Fourth Dimension
Group Activity
In the next few days, ee'll be asking members of The Millions Facebook group to help us with an exciting project that we've got in the works. If you want to join in the fun, join the group.
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My Neighbor, the Poet Laureate
Poets & Writers magazine has posted my interview with my Brooklyn neighbor and U.S. Poet Laureate Philip Levine, along with a lovely recording of him reading his poem "The Mercy." It's worth a listen.
Louise Erdrich: The Paris Review Interview
"By having children, I’ve both sabotaged and saved myself as a writer... Many of the writers I love most were alcoholics. I’ve made my choice, I sometimes think: Wonderful children instead of hard liquor." The Paris Review interviews Louise Erdrich for its Winter issue.
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The Land of the Setting Sun
From the Ruins of Empire author Pankaj Mishra recently visited Japan and wrote about the experience for Caravan. In particular, he was struck by the ways “much of [the country] presents a spectacle of aged modernity,” and how “it is with some shock that you recall that Japan was where once the future lay, before its bubble burst in the early 1990s, and the country, pushed inward by adversity, became a strange absence in our lives.”
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What’s “Appropriate”
We've been following the YA debate quite attentively - I wrote about it just last week - but Sarah Burnes's addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I've read. In defense of reading YA fiction as a "grown-up" she writes, "The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s 'appropriate.'"
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Bound
"Think the kennel partner was a man? Think he was, in Braverman’s telling, threatened by her success? You are correct. There are so many stories like this, in Double Bind, of ambition built up and then put in its place: the high school classmate who sneered to Roxane Gay, when he learned that she’d been accepted to Yale when he had not, 'affirmative action.'"
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