“Most of us can’t write like our heroes, but nearly every one of us can try to drink like them.” Ian Crouch examines the myth of the great alcoholic writer and Charles Jackson’s The Lost Weekend in The New Yorker‘s “The Book That Will Make You Never Want to Drink Again.”
Drinking Fitzgerald Under the Table
Pride and Prejudice Continued
The short shelf of books written by Jane Austen has been recently supplemented by many imaginative efforts–Jane Austen as an amateur detective, and several works depicting Austen characters (or Jane herself) as a vampire, a zombie or some other Gothic monster. So what’s next? Death Comes to Pemberley by P.D. James is Pride and Prejudice continued.
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Vitality/Banality
To prepare us for the release of Italo Calvino’s letters, the editors at Page-Turner are running excerpts from the book. In their latest installment — following their first two — Calvino describes New York City, which “swallowed [him] up like a carnivorous plant.”
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Prize Stories
For Electric Literature, Kelly Luce shares what she noticed while reading short story submissions for the O. Henry Prize. Pair with Paul Vidich’s Millions piece about the future of the short story.
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A Dialect, A Language, A Struggle
Over at Slate, Mike Vuolo speaks with Bob Garfield about “African-American English,” or, as some might say, “Ebonics.” The two of them explore its history, misconceptions, and whether or not it’s possible or even appropriate for a white writer (such as The Help author Kathryn Stockett) to attempt to write in the dialect of certain African-Americans.
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