“Most of us can’t write like our heroes, but nearly every one of us can try to drink like them.” Ian Crouch examines the myth of the great alcoholic writer and Charles Jackson’s The Lost Weekend in The New Yorker‘s “The Book That Will Make You Never Want to Drink Again.”
The Washington Post offers a long profile of the still underappreciated Edward P. Jones. We learn he hasn’t put a word of fiction to paper in four years but has been writing in his head. “‘I write a lot in my head,’ he says. ‘I’ve never been driven to write things down.'” (via @keelinmc)
A few weeks ago, Meghan Daum released an essay collection, The Unspeakable, which our own Hannah Gersen described as “unputdownable” in her Millions review. At Slate, Katy Waldman offers her own praise, writing that “these essays do what essays often set out to do: trace the outlines of a self.”
In The New York Times, Tatjana Soli gives high praise to Snow Hunters, the first novel by Once the Shore author and Best American Short Stories alumnus Paul Yoon. The novel, which tells the tale of a North Korean refugee named Yohan, proves that Yoon is “well-suited to the short form,” she writes. (Related: Soli has written for us.)
“If I’ve sat on my arse all day—and it’s definitely my English arse I sit on, not an American ass—then what I most want to do come evening is sit on it some more,” Geoff Dyer loves to sit. He and other authors discussed why the standing desk is overrated at The New Republic. Here’s where our writers work.
“[S]ometimes, one of the best ways to better understand racism is to just pick up a book.” As part of a recent tweet about his availability for racial consultation, Colson Whitehead recommended an evergreen Huffington Post piece entitled “16 Books About Race That Every White Person Should Read“, a list that includes Claudia Rankine‘s Citizen, T. Geronimo Johnson‘s Welcome to Braggsville, and The Sellout by Paul Beatty, which we reviewed here. We hope he’s collecting referral fees.