“Most of us can’t write like our heroes, but nearly every one of us can try to drink like them.” Ian Crouch examines the myth of the great alcoholic writer and Charles Jackson’s The Lost Weekend in The New Yorker‘s “The Book That Will Make You Never Want to Drink Again.”
On the occasion of the publication of his novel The Madonnas of Echo Park, Brando Skyhorse writes about the decades-long path that got him there and the rules for writing that he devised. (Thanks, Steve)
In the early days of sportswriting, journalists weren’t necessarily focused on soccer, football or even baseball. In the forties, boxing and horse racing were still important beats, and they gave W.C. Heinz the opportunity to build his legacy. In the Times, a review of The Top of His Game, a new collection of the reporter’s sportswriting. You could also read Sebastian Stockman on the problem with sportswriting as a genre.
Recommended Listening: Ben Lerner stops by The New Yorker’s fiction podcast to discuss “Woven, Sir,” a story by John Berger.
Philosopher and flower hater Slavoj Žižek comes late to the “let’s discuss The Wire‘s greater cultural significance” party, but he does bring some excellent points with him. For the record, he doesn’t believe it’s the greatest TV series of all time. And the entire thing is worth hearing if only for an in-depth analysis of this [NSFW] scene.
“Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the ‘domestic’ life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth.” These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?
Out this week: The Last Kid Left by Rosecrans Baldwin; The Answers by Catherine Lacey; Dear Cyborgs by Eugene Lim; Perennials by Mandy Berman; Everybody’s Son by Thrity Umrigar; and The Gypsy Moth Summer by Julia Fierro. For more on these and other new titles, go read our most recent book preview.