“Most of us can’t write like our heroes, but nearly every one of us can try to drink like them.” Ian Crouch examines the myth of the great alcoholic writer and Charles Jackson’s The Lost Weekend in The New Yorker‘s “The Book That Will Make You Never Want to Drink Again.”
A few months back, I wrote about Dear Mr. Watterson, which at the time was set to premiere at Cleveland’s International Film Festival. Well, fans of Calvin and Hobbes will be happy to learn that the Bill Watterson documentary has just released its first teaser trailer. Look for the flick to hit theaters this November.
On Friday, Tumblr rolled out its new “highlighted post” feature. The move is a new way to monetize the site’s content, but it’s not the only new initiative taken up by the site. As of last week, two writers have been hired by the Tumblr staff to document, well, Tumblr. (And speaking of all of this, you should totally check out my list of the best literary Tumblrs.)
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.
“There tends to be this idea that every piece and every assignment and every gig is always something speaking from the soul. We think that about great writers, that they’re incapable of doing hackwork.” The Rumpus interviewed Michelle Dean about women writers, the research process, and her forthcoming book, Sharp: The Women Who Made an Art of Having an Opinion. Pair with: Dean’s 2016 Year in Reading entry.
In 1969, Random House’s Book of the Month Club offered members an edition of Lewis Carroll’s Alice in Wonderland illustrated by Salvador Dalí. (You can view the full collection here.) Forty-three years later, the publisher had a mail delivery experience that was almost equally surreal.