We give up a book for many reasons: it was too long, the writing was dull, it was written by E.L. James. Goodreads has charted just when and why we abandon books. Catch-22 is the number one abandoned book. (Confession: I didn’t finish it either.) Also, see our article on the pressures of finishing novels in the age of literary social media.
Can’t get your fill of end-of-the-world scenarios? Playboy has a list of five new books to give you your eschatological fill. We have a few recent pieces about literary apocalypses too: reviews of Alan Moore‘s Jerusalem (here) and Colson Whitehead‘s The Underground Railroad (here), and Dana Spiotta‘s interview with After James author Michael Helm. Go forth and destroy (in your minds).
The New York Times looks back on Nora Ephron’s career and celebrates her distinct tone. EW has collected some of the best quotes from her books. Ariel Levy recalls her first encounter with Ephron’s “funny, frank, self-effacing but never self-pitying, and utterly intimate” voice.
My nominee for this round has been posted at the LBC blog. Though it didn’t grab my cohorts enough to be named our “Read This” pick, I do highly recommend it.I recently happened upon bookride, a blog by a rare book dealer that each day posts about a valuable book, explaining why the book is collectible and why it’s worth what it is. Fascinating stuff. A recent post looks at a rare copy of The Waste Land.Simon at Bloggasm rounded up a bunch tributes to Kurt Vonnegut including a slightly modified version of my post from last week.
“Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business….” Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)