Werewolves Etc.
Tuesday New Release Day: Moore; Li; Wilson; Stace; Harbach
Lorrie Moore, who we profiled yesterday, has a new story collection on shelves this week. Also out: Kinder Than Solitude by Yiyun Li; What’s Important is Feeling by Adam Wilson; Wonderkid by Wesley Stace; and MFA vs. NYC, a new essay collection (spun off from an n+1 piece) edited by Chad Harbach.
How to be a Good Literary Loser
Rick Gekoski, previously shortlisted for the PEN/Ackerley prize, talks about what it means to be a good literary loser, at Guardian: “And as soon as the winner is announced and it isn't you,” Colm Tóibín observed, “the cameraman just walks away, and you are left there at the table trying to look composed, and you want to die."
●
●
Cohen’s New Old Ideas
Leonard Cohen's new album Old Ideas is getting glowing reviews. Slate says of Cohen, "When it comes to lyrics, he’s second to no one—including Dylan."
God Save the Queen
This one won't do much to lift the Sunday spirits, but it's an important read nonetheless. Here's Ed Miliband's thoughtful essay at the London Review of Books on the growing inequality problem in Britain, which should look very familiar to those of us stateside. Here are a couple of less depressing Britain-related links to bring you back around.
●
●
Justin Taylor Threepeat
Did you dig “After Ellen,” Justin Taylor’s short story in The New Yorker? How about his interview for the Page-Turner blog? Yea? Well here’s even more: Joshua Cohen talks with The Gospel of Anarchy author for Jewish Book Council.
●
●
We’re Going with “Greatest”
"The actress and author of a new children’s book, The Further Tale of Peter Rabbit, has contemplated throwing the writer Michel Houellebecq across a room.” Great NYT subhead or greatest NYT subhead?
Poor Gatsby
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)