A couple weeks ago, I wrote about Brad Listi’s interview with the novelist Benjamin Percy. Now, at The Nervous Breakdown, Sharon Herrigan reviews Percy’s book Red Moon, which she says “speaks to us right out of the headlines.”
Lorrie Moore, who we profiled yesterday, has a new story collection on shelves this week. Also out: Kinder Than Solitude by Yiyun Li; What’s Important is Feeling by Adam Wilson; Wonderkid by Wesley Stace; and MFA vs. NYC, a new essay collection (spun off from an n+1 piece) edited by Chad Harbach.
Rick Gekoski, previously shortlisted for the PEN/Ackerley prize, talks about what it means to be a good literary loser, at Guardian: “And as soon as the winner is announced and it isn't you,” Colm Tóibín observed, “the cameraman just walks away, and you are left there at the table trying to look composed, and you want to die."
This one won't do much to lift the Sunday spirits, but it's an important read nonetheless. Here's Ed Miliband's thoughtful essay at the London Review of Books on the growing inequality problem in Britain, which should look very familiar to those of us stateside. Here are a couple of less depressing Britain-related links to bring you back around.
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)