New this week: The Ocean at the End of the Lane by Neil Gaiman, Carnival by Rawi Hage, In the House upon the Dirt between the Lake and the Woods by Matt Bell, Children of the Jacaranda Tree by Sahar Delijani, the collected letters of Italo Calvino, and the seventh issue of McSweeney’s food mag Lucky Peach.
Poet turned playwright Sarah Ruhl's latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers' letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven't already.)
With the NCAA’s March Madness tournament winding down, and with The Morning News’s Tournament of Books drawn to a close, you can still indulge your bracketological yearnings by participating in Powell’s Books’s Poetry Madness or by checking out NPR’s Ides of March Madness.
Sometimes, Virginia Woolf took a break from her busy schedule of constant brilliance in order to write children's stories for her nephews' newspaper, The Charleston Bulletin. A taste: "When in a good and merry mood Trisy would seize a dozen eggs, and a bucket of flour, coerce a cow to milk itself, and then mixing the ingredients toss them 20 times high up over the skyline, and catch them as they fell in dozens and dozens and dozens of pancakes."
Another big week for books is headlined by Michael Chabon's Telegraph Avenue (the book's opening lines) and Junot Díaz's This Is How You Lose Her. Also out are Susan Straight's Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward's latest Beltway tick-tock The Price of Politics.