“’This Is Just To Say’ is magical because of this personal, endless quality to it,” writes Jezebel’s Kate Dries in her exploration of the poem’s prevalence among Twitter comedians. Meanwhile Andrew Epstein remarks in a supplementary blog post, “I guess this is just to say that the Jezebel piece reminded me that Kenneth Koch was remixing and spoofing [William Carlos] Williams almost 50 years before anyone ever dreamt of Twitter.”
This Is Just To Say
It’s not such a Mad Mad world afterall.
Sure, the various TV recaps, screencaps, and Paris Review fan fiction will be a help, but let’s be honest, how long will those last? You could get through all of it today, in a binge. What you need, my friend, is a good book to sate that Mad Men craving you’ll be having now that it’s off the air again. Well, here’s a list of 10 great ones. That should do it. Oh, yes.
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Visions Beyond Imagining
“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.
“Both a gem and a bomb”
Recommended Reading: this excerpt of Tim Parrish’s new book (with accompanying self-interview).
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Tuesday New Release Day: Amis, LaValle, Auster, Fesperman, Pylväinen, Coplin
American readers can now get their hands on the latest from Martin Amis, Lionel Asbo: State of England. Also out this week: The Devil in Silver by Victor LaValle, Paul Auster’s memoir Winter Journal, Dan Fesperman’s spy novel The Double Game, and a pair of debuts, Hanna Pylväinen’s We Sinners and Amanda Coplin’s The Orchardist.
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Charm City, Murdaland
In a piece for Aeon, D. Watkins – who previously blew onto the scene with his Salon essay, “Too Poor for Pop Culture” – looks into “the two Baltimores” he has known. Tracing the city’s history back to the Civil War, he defines the city as “a place split on ideologies because it’s too south to be north and too north to be south.”
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