James Salter’s women are “described over and over again as meals for the male protagonists to enjoy and then leave behind in various western European countries,” Lidia Jean Kott argues. Read Sonya Chung’s take in our review of All That Is.
The James Salter Diet
Dog Whispering
“He says you should choose a book narrated by a person of the same gender as their primary master, played at average volume on an in-home listening device such as the Alexa-driven Echo device.” Cesar Milan is curating a list of titles for Amazon’s new Audible for Dogs initiative, reports USA Today. On the list so far: Pride and Prejudice, The Wind in the Willows, and Trevor Noah’s Born a Crime: Stories from a South African Childhood (via Book Riot).
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So Oldman, Walken, and Lithgow Walk Onto a Stage…
Here’s the perfect example of something you didn’t even know you wanted: Gary Oldman doing a dramatic reading from R. Kelly’s memoir, Soulacoaster: The Diary of Me. This performance will surely join the pantheon of great pop culture readings alongside Christopher Walken’s reading of Lady Gaga’s “Pokerface” and John Lithgow’s reading of Newt Gingrich’s “florid” and “overwritten” press release.
DFW, ctd.
On Friday, the Ransom Center at the University of Texas-Austin opened up its holdings of The Pale King, DFW’s last novel (which our own Garth Risk Hallberg reviewed for New York Magazine). At Page-Turner, D.T. Max picks through the new papers.
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What is a diverse book?
Year in Reading alum Rumaan Alam reflects at The Literary Hub about the labels we ascribe to texts. Pair with his recent interview with Lindsay Hatton.
Edgar Allen Poe’s House on The Wire
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On Optimism and Despair
“In your earlier novels you sounded so optimistic, but now your books are tinged with despair. Is this fair to say?” Zadie Smith‘s remarks upon accepting the 2016 Welt Literature Prize on November 10th, and the question of whether “multiculturalism” is a failed experiment. Read our review of Smith’s latest novel, Swing Time, here.
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Dickinson’s Self-Creation
“Dickinson wasn’t a madwoman, but she was maddened with rage—against a culture that had no place for a woman with her own fiercely independent mind and will.” On Emily Dickinson’s self-creation at Lit Hub. Pair with a piece on Paul Legault’s English-to-English translations of Dickinson’s poems.
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