“I’ve been writing about ‘real’ characters and placing them in a shaped, or fictional, world. Writing TransAtlantic, there was never really a plan, at the early stages, to question the line between fiction and nonfiction. I just went on instinct, and then these worlds started to braid.” The Rumpus interviews Colum McCann.
"To get me through a 550-page collection, the stories must be very good indeed. These are." When Lionel Shriver participated in our Year in Reading ritual several years back, she dedicated her reading diary to William Trevor, who just passed away. "Trevor’s writing is so perfect that you don’t even notice it’s perfect," she wrote. "He mainlines pure narrative directly into your veins. The words never get in the way; the words, like their author, disappear."
“Everywhere in the language of this collection is the deliberate and sustained glorification of the human. Long after his 11 months in what he calls the Lager (Auschwitz III), as a survivor, Primo Levi understands evil as not only banal but unworthy of our insight – even of our intelligence, for it reveals nothing interesting or compelling about itself.” Toni Morrison on The Complete Works of Primo Levi in The Guardian.