“Who is this woman?…What yoga DVD did she escape from?” Chloë Schama criticizes the recent trend in book covers featuring women with their backs turned to the reader, including Ian McEwan’s Sweet Tooth and John Irving’s In One Person.
Articles lamenting the supposed death of reading tend to include a gripe that we now spend too much time on the Internet. However, as those of you who read a lot of books and live partially on the Internet are aware, the two activities aren’t mutually exclusive. NPR’s Morning Edition has a new story (which includes our own Janet Potter discussing her rewriting of classic novel titles as click-bait headlines) about the intersection between the lit world and the meme world.
Back in May, our own Sonya Chung reviewed All That Is, the first novel in 35 years by A Sport and a Pastime author James Salter. For another viewpoint (courtesy of the LRB), check out James Meek’s assessment of the book alongside Salter’s Collected Stories.
When Vladimir Nabokov developed a screen adaptation for Lolita, his director Stanley Kubrick declared it the “best ever written in Hollywood”–meaning, it seems, most gorgeously novelistic, evocative, readable. Here’s a short excerpt of his screenplay with original margin notes.
“Every story that works gets the level of description that it needs. Which isn’t to say that the level of description needed for every successful story is the same.” Tobias Carroll surveys the wide variety of detail density in fiction for Electric Literature.
Last week, I wrote about Josh Weil and Mike Harvkey’s joint book tour, which sees the two driving a Prius across America to promote their latest novels. Now, in their latest dispatch, they reflect on the differences between writers like themselves and midcentury writers like Andre Dubus and Norman Mailer.