There is good news for those of us whose dreams of artistic superstardom don't seem to be panning out -- a job listing from McSweeney's seeking failed artists for an associate position. "We would hate for you to be pretentious," the listing states, "but if you don’t regularly call other people pretentious — this might not be the job for you."
On the topic of reading classics: Alberto Manguel at the New York Review of Books considers the dialogue across history that books afford. "The relationship between a reader and a book... eliminates the barriers of time and space, like 'conversations with the dead.'"
“When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances and with certain modifications, they may be, and they are delightful, as we every day experience. The cause of this I shall endeavour to investigate further.” David Shields quotes Edmund Burke in an interview about his new book War Is Beautiful.
In November, Matt Kish will write a series of guest posts for Tin House’s Open Bar Blog. He’ll be “exploring some of the ideas and processes behind five of [his] Heart of Darkness illustrations.” Over on his personal blog, however, he’s asking for readers to help him select which five pieces he should discuss. Kish, who has previously illustrated the pages of Moby Dick, was recently mentioned in our Great Second-Half 2013 Book Preview.
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen's classics in modern times. (Thus far, we've seen Joanna Trollope's Sense and Sensibility and Val McDermid's Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is "pretty much teetering on the edge of spinsterhood."
If you enjoy showing the world how much you like to read, you’re in luck: The Paris Review and the LRB are asking people to submit photos of themselves reading either magazine as part of their new contest. All you have to do is post the image on Twitter, Facebook or Instagram with the hashtag #ReadEverywhere, and they’ll pick out the top images. The grand prize is one vintage issue of The Paris Review from every decade it’s been around, along with an artwork by Peter Campbell and a vintage LRB cover print.