In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
Sehgal and Adichie in Conversation
The Case of the Aching Wallet
We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question -- do money woes inspire writers to greater heights of creativity?
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Two More for the Wish List
At BOMB, Danielle Dutton speaks with me about her new press Dorothy, a publishing project, which just published two books you'll want to add to your wish list, Renee Gladman's Event Factory and Barbara Comyns' Who Was Changed and Who Was Dead.
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Jack White, Publisher
Recommended reading: Lauren O'Neal writes for the LA Review of Books about analog music, Millennial poetry and Jack White's foray into publishing.
It’s Not TV, It’s Jonathan Franzen.
To celebrate the official HBO adaptation of Jonathan Franzen's The Corrections, The New Yorker has compiled a list of "Franzen Facts."
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