In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
Photographer Christopher Jue journeyed with People Who Eat Darkness author Richard Lloyd Parry into the four-story headquarters of the Kudō-kai, a Yakuza group headquartered on the Kyushu island of Japan. “My mental note to myself,” says Jue, “was ‘once I step foot into their property, anything can happen.’”
New this week: All the Birds, Singing by Evie Wyld; In the Course of Human Events by Mike Harvkey; Casebook by Mona Simpson; The Other Story by Tatiana de Rosnay; Vernon Downs by Jaime Clarke; and Labor Day: True Birth Stories by Today’s Best Women Writers, edited by Eleanor Henderson and Anna Solomon. For more on these titles and other new releases, check out our Great 2014 Book Preview.
You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.
“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart
If for some unspeakable reason you didn’t follow my advice when I urged you to subscribe to the VQR over a year ago, then perhaps you need more convincing. Enter: Ron Charles. He’s got a brief preview of the magazine’s Winter Issue, which hit shelves this week, and which contains an essay based on Natasha Trethewey’s Library of Congress speech.