In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
Sehgal and Adichie in Conversation
A Japanese Country Doctor
Recommended viewing: Kafka‘s “A Country Doctor” translated into Japanese animation.
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Salon Culture 2.0
Though Franzen would surely argue (in great excess of 140 characters) to the contrary, the excellent introductory essay from the latest issue of N+1 lauds Twitter for “the very last thing to have been expected from the internet: a renovation of the epigram or aphorism, a revaluation of the literary virtues of terseness and impersonality.”
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Publishing Industry Rebounds
Time to quit moaning and groaning, publishing industry insiders: a survey released today by Bookstats shows publishers brought in 5.6% more revenue and sold 4.1% more books in 2010 than in 2008, according to the New York Times.
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Not Just the Mind’s Eye
A new Tumblr, The Composites, takes descriptions of characters from novels and feeds them through police composite sketch software to produce images of their “faces.” Creepy and cool. (via kottke)
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Is Social Publishing the Future?
Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. ““Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer.” Is this a way forward for beleaguered publishers? (via The Lone Gunman)
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Bring your @ game.
Sarah Weinman has compiled a list of verified literary Twitter accounts on her blog.
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