Neil Gaiman’s writing gets compared to “a great bowl of nachos” in Nikki Steele’s food-focused review of The Ocean at the End of the Lane. Pair with: our own Nick Moran on how his favorite books influence his appetite.
Neil Gaiman Nachos
Lynda Barry on the Painted Novel
"I came back to my studio and tried to think of the slowest possible way to write a novel, and the slowest way is with frosting." The Paris Review interviews cartoonist Lynda Barry about writing novels with a paintbrush.
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Four David Mitchell books on the way
David Mitchell’s The Bone Clocks now has an official release date, as well as ample pre-publication details to whet your appetite. News of the book, which will be available in September, also came with the announcement of a new three-book deal with Random House.
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Zadie Smith on Charity
“But money is not neutral; it changes everything, including the ability to neutrally judge what people will or will not do for it.” Zadie Smith has a short essay in the New Yorker on the trials of lending money to a friend.
Or the Link
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A Daisy Chain of Laffs
Turns out David Sedaris loves The Onion (but who doesn't, really?). Slate asked more than 30 writers including Junot Díaz, Elif Batuman, Paul Beatty, Miranda July, and Chris Kraus to recommend their favorite funny books. Might we recommend you pair this with our own Jacob Lambert's comedic interpretation of Cormac McCarthy?
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Could the internet save book reviews?
Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell's 1946 essay "Confessions of a Book Reviewer." She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I'd add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.
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Galileo’s Taste; Galileo’s Work; Galileo’s Life
Can Galileo’s literary preferences teach us about “the unusual and creative features of his physics?” John L. Heilbron thinks so.
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