Neil Gaiman’s writing gets compared to “a great bowl of nachos” in Nikki Steele’s food-focused review of The Ocean at the End of the Lane. Pair with: our own Nick Moran on how his favorite books influence his appetite.
At Salon, Cornel Bonca reviews Roth Unbound, a new “hybrid” biography of Roth that New Yorker staff writer Claudia Roth Pierpont wrote after months of interviews. Although the book glosses over Roth’s personal flaws, it gives a great overview of his work, Bonca writes.
This week, the upstanding men and women of Football Book Club are reading Louisa Hall’s novel Speak — and posting about (a) having their minds blown by Maggie Nelson’s The Argonauts and (b) having their metaphoric hearts metaphorically stomped on by the NFL.
“Tracing the journey of a mediocre actor and Holocaust survivor ‘touched by some mysterious higher design’ as he forges and impersonates his way through the war and then back to the city of his birth, the story is part Samuel Beckett and part Isaac Bashevis Singer, with a sudden final bolt of O. Henry. It has the flavour of a morality tale, but what’s most fascinating to me is how difficult it is to derive a moral from it, or rather how easy it is to derive more than one and how openly they stand in conflict with each other.” Kevin Brockmeier extols the fiction of Leandro Sarmatz.