A San Francisco prisoner wanted to read werewolf erotica so badly that he took it to state court. The case has brought up problems with prison censorship and calls to mind Avi Steinberg’s memoir, Running the Books: Adventures of an Accidental Prison Librarian (here’s our review.)
"I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes." Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.
Perhaps best known for her fiction, specifically her classic The Group, Mary McCarthy became a novelist almost by chance. "McCarthy was good at recycling – a term which she used herself – and good, also, as she admitted, at plagiarizing her own life. Nevertheless, her fiction lives, and some of it has been highly influential." Margaret Drabble takes us through McCarthy's major works of fiction, featured in Mary McCarthy: The Complete Fiction which was released this year in a deluxe collection for the very first time.
Recommended Reading: Amy Poehler's New Yorker essay, "Take Your Licks," on her summer job at an ice cream parlor. "If the style of the restaurant was old-fashioned, the parenting that went on there was distinctly modern. Moms and dads would patiently recite every item on the menu to their squirming five-year-olds, as if the many flavors of ice cream represented all the unique ways they were loved." If this essay is any indication, her upcoming memoir is going to be great.