According to a recent survey, Danes are the happiest people in the world. This came as a surprise, writes Mathilde Walter Clark, to most of her fellow Scandinavians, who know very well the unhappier elements of their daily lives. The problem, she suggests, is that words like “happiness,” “ambition” and “contentment” have subtly different meanings in different languages — in other words, happiness in Denmark isn’t the same thing as happiness in America. You could also read our own Emily St. John Mandel’s review of the Danish writer Jonas T. Bengtsson’s A Fairy Tale.
Olugbemisola Rhuday-Perkovich put together a reading list to help children understand the global refugee experience, and Kaveh Akbar compiled a list of poems from the seven countries — Iran, Libya, Yemen, Sudan, Somalia, Iraq, and Syria — impacted by President Donald Trump’s executive order. Meanwhile, Kieran Hebden (a.k.a. Four Tet) has been curating a Spotify playlist of music from those countries as well.
One of the titans of Modernist poetry, Hilda Doolittle, or H.D. to her friends, was psychoanalyzed in the 1930s by none other than Sigmund Freud. Her letters to her friends describe the account in great detail, despite explicit instructions from Freud not to speak about their time together with anyone. This essay from The Millions on video games and Freud is a nice complementary piece.
Julie Delphy‘s second film as writer/director/actress is released in Europe this month. The subject is 16th century Hungarian/Transylvanian countess Erzsébet Bàthory, known for murdering young girls to bathe in their blood and considered by some the first female serial killer. Judging from the trailer, Delphy’s film doesn’t appear to equal earlier visions of the Bloody Countess (French Surrealist Valentine Penrose‘s hallucinatory biography, for example, or Terry Gilliam‘s Mirror Queen (Monica Bellucci) in The Brothers Grimm).