Brooklyn’s Greenlight Bookstore just launched a First Editions Club where members get a signed first edition of a new book each month. Some recent selections include: George Saunders’s Tenth of December (our review), Jonathan Dee’s A Thousand Pardons (our review), and Philipp Meyer’s The Son.
“We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content.” In the Guardian, Playboy‘s former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd’s debut novel, The Affairs of Others.
Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
Rohan Maitzen on Virginia Woolf‘s literary criticism: “What—I can imagine her asking herself, as she writes about other novelists—am I doing, what else can I do, with the novel? Surely figuring this out was always, for her, the underlying project of her criticism.”
“We can finally all agree that women want to have sex. But does that mean we experience desire in the same way that men do?” At The Atlantic, Claire Dederer discusses why it can be hard for women to write about sex. Pair with: Our own essay about writing sex scenes in literary fiction.